Susan Messer
An Extended Definition of Unclassifiable Knowing

Susan Messer - An Extended Definition of Unclassifiable Knowing

Creative Nonfiction
Susan Messer has had fiction and nonfiction published in Triquarterly, Glimmer Train Stories, North American Review, After Hours, Colorado Review, Creative Nonfiction, Fourth Genre, and Another… Read more »
Kim Roberts
Benjamin Banneker at Jones Point

Kim Roberts - Benjamin Banneker at Jones Point

Poetry
Kim Roberts is the editor of the anthology By Broad Potomac’s Shore: Great Poems from the Early Days of our Nation’s Capital (University of Virginia Press, 2020), and the author of A Literary… Read more »
Shailen Mishra
Between Bears and Bees

Shailen Mishra - Between Bears and Bees

Fiction
Shailen Mishra holds a PhD in English Studies from Illinois State University and an MFA in Creative Writing from North Carolina State University. At Illinois State University, his work was recognized… Read more »
Gregory Byrd
Dita e Verës

Gregory Byrd - Dita e Verës

Fiction
A Fulbright fellow (Albania, 2011) and Pushcart nominee, Gregory Byrd’s poetry and prose have appeared widely, recently in Apalachee Review and forthcoming in Saw Palm. His current projects are the… Read more »
Jill McDonough
Drunk Driving

Jill McDonough - Drunk Driving

Poetry
Jill McDonough’s books of poems include Here All Night (Alice James, 2019), Reaper (Alice James, 2017), Where You Live (Salt, 2012), and Habeas Corpus (Salt, 2008). The recipient of three Pushcart… Read more »
A. J. Bermudez
Fall

A. J. Bermudez - Fall

Creative Nonfiction
A. J. Bermudez is an award-winning writer and filmmaker based in Los Angeles, California. Her work has appeared or is forthcoming in McSweeney’s, Hobart, The Masters Review, Fiction International,… Read more »
Alden M. Hayashi
Finding the Right “Keiko”

Alden M. Hayashi - Finding the Right “Keiko”

Fiction
Alden M. Hayashi has been an editor and writer at Scientific American, the Harvard Business Review, and the MIT Sloan Management Review. After more than thirty years covering science, technology, and… Read more »
Trapper Markelz
First Snow

Trapper Markelz - First Snow

Poetry
Trapper Markelz is a poet, musician, and cyclist, who writes from Boston, MA. You can learn more at https://trappermarkelz.com. Read more »
LeRoy Sorenson
Hometown

LeRoy Sorenson - Hometown

Poetry
Main Street Rag published LeRoy Sorenson’s poetry collection, Forty Miles North of Nowhere. His chapbook Railman’s Son will be published in 2021. He won The Tishman Review 2019 Edna St. Vincent… Read more »
Basmah Sakrani
Intersection

Basmah Sakrani - Intersection

Contest - 1,000 Words or Less - Fiction
Basmah Sakrani is a Pakistani-Canadian writer living in Memphis TN, with her husband and two dogs. Her work has appeared in Woven Tale Press, Past Ten, Noble Gas Quarterly, and other journals. Most… Read more »
Mary Ardery
Kawana Campsite

Mary Ardery - Kawana Campsite

Poetry
Mary Ardery is originally from Bloomington, IN. Her work appears or is forthcoming in Missouri Review’s “Poem of the Week,” Fairy Tale Review, Cincinnati Review’s “miCRo” series, Prairie… Read more »
Caroline Miller
Mosaic

Caroline Miller - Mosaic

Creative Nonfiction
Caroline Miller is an essayist and poet who writes about art, landscapes, and femininity. She has an MFA in nonfiction from the University of Wyoming and enjoys tap dancing, hiking, and drinking far… Read more »
Tara Lynn Masih
Notes to THE WORLD

Tara Lynn Masih - Notes to THE WORLD

Fiction
Tara Lynn Masih is a National Jewish Book Award Finalist and winner of the Julia Ward Howe Award for Young Readers for her debut novel, My Real Name Is Hanna. Her anthologies include The Rose Metal… Read more »
Annie Sheppard
One Peach

Annie Sheppard - One Peach

Creative Nonfiction
Annie Sheppard’s essays can be found in Phoebe, McSweeney’s Internet Tendency, Fourth Genre, and The Pushcart Prize XLV, among others. She lives in Oregon. Read more »
Star Su
Properties of Light

Star Su - Properties of Light

Fiction
Star Su grew up in Ann Arbor and is currently an undergraduate at Brown. Her fiction is forthcoming in Waxwing, SmokeLong Quarterly, Wildness Journal, and elsewhere. Find her on Twitter: @stars_su. Read more »
John Van Kirk
Sea Fog: A History

John Van Kirk - Sea Fog: A History

Fiction
John Van Kirk is the author of the novel Song for Chance (Red Hen Press). His short fiction has won the O. Henry Award and the Iowa Review Fiction Prize and has been published in numerous magazines… Read more »
Bryce Emley
St. Felicity Watches St. Perpetua’s Executioner

Bryce Emley - St. Felicity Watches St. Perpetua’s Executioner

Poetry
Bryce Emley is the author of the prose chapbooks A Brief Family History of Drowning (winner of the 2018 Sonder Press Chapbook Prize) and Smoke and Glass (Folded Word, 2018). A Narrative 30 Below 30… Read more »
Emily James
The Reckoning

Emily James - The Reckoning

Contest - 1,000 Words or Less - Creative Nonfiction
Emily James is a former high school teacher and writer in NYC. She is the submissions editor at Pidgeonholes and the CNF Editor at Porcupine lit. She’s a Smokelong Flash 2020 Finalist, and the… Read more »
M. M. De Voe
The Scissors of Hope and Despair

M. M. De Voe - The Scissors of Hope and Despair

Fiction
M. M. De Voe has won more than a dozen writing awards for short fiction and poetry. Anthologized in Delirium Corridor (Borda Press), Twisted Book of Shadows (winner of a Shirley Jackson Award for Best… Read more »

Dita e Verës

Gregory Byrd

You can’t walk around anywhere in Tirana without being reminded of sacrifice. Try to walk somewhere—go ahead. You’ll find yourself walking Dëshmorët e Kombit, Martyrs of the Nation Boulevard. Go far enough one way and you’ll find yourself in Sheshi Nënë Tereza, Mother Theresa Square. Go the other way and you’ll find Skanderbeg, George Kastrioti, sitting on his 15th-century horse with his sword raised and his big beard pointed into the future. Or you’ll find the park of the three Frashëri brothers, or the streets named after them. There are only three of them but it seems like there must be a dozen. Talk to the right people and you’ll hear about the couple thousand people who died in 1998. Walk by the Prime Minister’s building near the Pyramid and you’ll pass the place where three protesters were killed six weeks ago. The blood from their gunshot wounds has been washed away and the flowers left for them are gone, but you can still see the marks on the street where cars were burned. So even though I was hoping that Dita e Verës, the festival to celebrate the end of winter, would help me forget, I kept seeing signs of sacrifice. The posters for the holiday with the young child holding a daisy seem a lie.

I would actually prefer to go into work at the bank and help the vice-manager with the reconstruction of the auto and home loan procedures that we’d been working on. It was a sweet gig. I’d found the job online through a listing for USAID in Europe. I’d been out of work for four months and with the economy in the tank, no one was interested in hiring a bank VP. My master’s degree in Finance and Banking Systems was about useful enough to wipe your butt with until this ad came up at the bottom of other ads: “USAID seeks banking executive to help overhaul and implement new procedures in developing European country. Housing provided. Generous salary.”

“You should go for it, Dad.” Madelyn had smiled brightly over my shoulder as she looked at the laptop screen. I imagine she’d watched me searching for jobs a lot while she got ready for school.

“You want to go to Albania?”

“It’s in Albania? Where’s that?” Well, she and I learned more about Albania in the next few weeks than I could have imagined, but it was a surprise to both of us when we decided that she would stay in Wendover and finish her senior year while living with her best friend while I worked in Tirana. At least I would be able to pay our mortgage and for her prom dress.

It was going to be a much better prom dress than she had imagined, though Maddie would have to fly all the way to Albania to pick it up. That was going to be my big present to her. The dressmaker had been working in her little, bathroom-sized shop on some tiny rruga off Rruga e Elbasanit to get the basic dress made for her. Maddie would have flown in tomorrow for the fitting, and we would have spent a week traveling in Italy before she went back just in time for the prom.

I find myself in front of the dress shop, though I don’t remember how my feet had directed me here. I had only been thinking about Maddie, and the dress shop, like most things, was closed. The dark blue dress shimmered on its padded hanger along with coats and dresses and blouses in different stages of finish, which were also waiting for their owners to try them on, get the final fitting, put some life into them. I could imagine how she would look in that dress, how I had planned to get a picture of her in the dress and me in my suit before she left for the States. I would only have the pictures of her and the other girls that she would send me after the prom and would not be able to send her off and tell her to be careful and not to drive if she’d been drinking and to be careful about boys. Be careful about boys. Could I have told her to be careful about that boy? Even if I weren’t here, would I have been there? When she was little I imagined myself shooting boys who would try to hurt her, putting a hunting knife to their throats and telling them to get the fuck lost. But I wasn’t there and I couldn’t even think of violence anymore, as angry as I’d been since yesterday. Even if they catch him, I don’t feel like killing anymore.

Before catching the flight back tomorrow, I will pay off the dress and take it with me. She can wear it one last time.

I find my way back to Dëshmorët e Kombit, where all of the people are. They have blocked off the street, and children in strollers and parents and kids kicking balls and flying kites are everywhere. On the street is vendor after vendor selling Elbasan cookies. The secretary at the office told me about them. They’re only available for Dita e Verës so I assumed they’d be something special, with poppy seeds or nuts or something. I am hungry. It’s noon and I haven’t eaten all day. I don’t remember when I went to sleep last night. People kept calling. I talked with my mother for two hours. I talked with Maddie’s friend. She thinks it’s all her fault because she didn’t pick Maddie up from school that day, and I had to talk her out of all that. I’m usually more calm the worse things get. When the tornado destroyed our house when Maddie was seven, I remember calling Joan and telling her, “Don’t come home. A tornado came through and our house is gone.” She was going to come home anyway, figuring that it was just damaged or at least there were things to salvage, but except for the cellar it was like the house was never there. Perhaps that’s why she left me, but I think it has more to do with work being so busy. Or maybe we never really got along. When we talked last night, she didn’t blame me straight out, but I know that she thinks that if I had stayed at home that Maddie would have never taken a ride with that boy or if Maddie had chosen to move to Phoenix with Joan and Ed that she’d be alive today.

The cookie is really just a sugar cookie. It’s good and not too sweet, but it doesn’t have anything special in it. Sometimes things are best that way. Just plain and without anything special added. My aunt made cookies like these, but no one ever got the recipe. A thought strikes me that she was Albanian and no one in the family knew it. Imagine the scandal in that little Pennsylvania town in the 1940s! I’m almost done with the cookie when I remember (how do I forget this sometimes?) that I’m hypoglycemic. On an empty stomach, I’ll have a headache and feel fuzzy for hours. Add to that no sleep. I saw the sun come up this morning over the parti-colored buildings before the traffic started honking and the crisp young men at the café downstairs started making Turkish coffee.

I am almost down to Sheshi Nënë Tereza, where I hear more music. I buy something that’s a cross between a sausage and a hot dog on a fresh baked bun. They sprinkle something that looks like hot pepper, paprika, and salt on it. It’s good and the protein will help me. I walk up to the university building where the statue of Mother Theresa, Albania’s favorite daughter, stands. She is leaning forward, stoop-shouldered, as if patting someone on the shoulder. How did she get to be so old working among the poor and diseased? What was it she caught that bent her so? Or was it maybe all of that suffering that she shouldered, whatever load God couldn’t take? I feel like I know her. Maybe God’s like a big, strong friend, but he can’t carry everything and sometimes you have to carry the heavy stuff for him. Sometimes maybe he has a hernia or something and you have to carry the heavy stuff so much that it bends you down and puts your body in a permanent question mark so that, even if you’re not even five feet tall, you reach down to pat someone on the head. No one is looking when I let the statue pat me on the head. This Theresa is probably seven feet tall. She’s bronze. I wish I were seven feet tall and bronze. Maybe I could shoulder all of this and carry the dress, too. I keep thinking of Maddie in the shallow grave, as they said, but I think of how she hated to be dirty that way and how she would be wanting to take a shower. An image of the camp shovel buried in her shoulder comes to me and I fall at Theresa’s feet. I want to hold Maddie in my arms and wash her off.

Music is playing in the square. I hadn’t noticed it before. One amplified tent is for a Greek energy drink, and people are gathered around some musicians playing something. Soon I am part of the crowd around the musicians and I can see that it’s some sort of Native American music, though the performers are dressed more in what Albanians would expect of American Indians. One has a full headdress and another wears buckskins. One is playing some sort of congas, the one in the headdress is singing and the one in the buckskins is playing a pan flute. It sounds much more like Ecuadoran or Bolivian music to me but it has something infectious that the young Albanians like. Someone leaves and I’m shuffled to the front. An old woman is walking around inside the circle where the performers are. She is hawking CDs for the group. When she comes to me, I hand her a thousand lekë. It’s about ten bucks but she hands me three CDs. She sees the crossed Albanian and American flag pin I wear on my lapel. She says in a very standard American English, “Are you American?” I nod and say yes. She rubs her hand across my forehead, my cheekbone. “You are Indian.” I nod yes, though I don’t really know this. It’s only a story in my father’s family.

Suddenly I am pulled in the center of the circle. She says something I cannot hear to the other musicians, and the drummer is drumming more loudly. She takes my hand and makes me sway with her. The singer in the goofy headdress makes me repeat whatever he’s saying in Lakota. I sing it and I don’t know what it is. I realize I’m crying as I’m singing and I don’t care that anyone sees me. The man in buckskin puffs into the pan flute. I don’t know what I’m a part of. I’m looking down as I’m singing and watching my tears fall on the dry pavement. The old lady strokes my head until the music dies to all but the drum beating like a heart and the crowd clapping with the drum. I see the people’s faces and I whirl around. I see their mouths moving and soon I hear nothing but the drum pounding in the same beat as the thumping in my chest. I see Maddie in the desert, crying too, her silent mouth open and singing. I see the sun on the horizon, but I cannot tell if it is rising or falling. I feel an old woman’s hand gentle on my head.

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