Kilby Allen
A Stockroom Exegesis of Psalm Fifty-One

Kilby Allen - A Stockroom Exegesis of Psalm Fifty-One

Fiction
Kilby Allen is a native of the Mississippi Delta, and received her MFA from Brooklyn College, where she was awarded both the Himan Brown Award and the Lainoff Prize in 2010. While living in New York,… Read more »
Clay Matthews
An Angel Gets Her Wings

Clay Matthews - An Angel Gets Her Wings

Contest - 2nd Place
Clay Matthews has published poetry in journals such as The American Poetry Review, Black Warrior Review, Kenyon Review, Gulf Coast, and elsewhere. His most recent book, Pretty, Rooster (Cooper… Read more »
Peter Gordon
Braniff

Peter Gordon - Braniff

Fiction
Peter Gordon’s short stories have appeared in a wide range of publications including The New Yorker, Ploughshares, The Yale Review, The Southern Review, The Antioch Review, Glimmer Train, Virginia… Read more »
Meg Stout
Grasp

Meg Stout - Grasp

Creative Nonfiction
Meg Stout lives in Burlington, Vermont, where she likes her winters cold, her summers humid, and her arts community eccentric. She earned a BFA in creative writing from the University of Maine at… Read more »
Anne Goodwin
Habeas Corpus

Anne Goodwin - Habeas Corpus

Fiction
Anne Goodwin writes fiction for the freedom to contradict and continually reinvent herself. She has published 50 short stories online and in print. A recent—and somewhat evangelical—convert to… Read more »
Gaylord Brewer
More Honored in the Breach:
Fava Bean

Gaylord Brewer - More Honored in the Breach:
Fava Bean

Poetry
Gaylord Brewer is a professor at Middle Tennessee State University, where he founded and for 20+ years has edited the journal Poems & Plays. His forthcoming books are a cookbook/memoir, The… Read more »
Roy Bentley
O, Kindergarten

Roy Bentley - O, Kindergarten

Contest - 3rd Place
Roy Bentley has received fellowships from the NEA, the Florida Division of Cultural Affairs, and the Ohio Arts Council. Poems have appeared in The Southern Review, Shenandoah, Pleiades, Blackbird,… Read more »
Janette Ayachi
On Meeting a Fox

Janette Ayachi - On Meeting a Fox

Janette Ayachi is an Edinburgh-based poet who graduated from Stirling University with a combined BA Honours in English Literature and Film Studies. She then went on to study a Masters in Creative… Read more »
Brett Foster
On the Numbness That Will Be Our Future

Brett Foster - On the Numbness That Will Be Our Future

Contest - 1st Place
Brett Foster is the author of two poetry collections, The Garbage Eater (Triquarterly Books/Northwestern University Press, 2011), and Fall Run Road, which was awarded Finishing Line Press's Open… Read more »
Brian Maxwell
Pensacola

Brian Maxwell - Pensacola

Fiction
Brian Maxwell is a Florida-based writer, particularly interested in the short story form. His fiction has appeared in Fugue, Evansville Review, Louisville Review, The Beloit Fiction Journal, Rio… Read more »
Michael Derrick Hudson
Scale Model of a World War II Airplane

Michael Derrick Hudson - Scale Model of a World War II Airplane

Poetry
Michael Derrick Hudson lives in Fort Wayne, Indiana. His poems have appeared in Columbia, Georgia Review, Gulf Coast, Iowa Review, North American Review, New Letters, Washington Square, and other… Read more »
Amorak Huey
Scientists Say One Language Disappears Every 14 Days

Amorak Huey - Scientists Say One Language Disappears Every 14 Days

Poetry
Amorak Huey, a former newspaper editor and reporter, teaches writing at Grand Valley State University in Michigan. His chapbook The Insomniac Circus is forthcoming from Hyacinth Girl Press. His poems… Read more »
Valerie Cumming
Secret Recipe

Valerie Cumming - Secret Recipe

Fiction
Valerie Cumming received her MFA in fiction writing from the University of Michigan, and her stories have appeared or are forthcoming in more than twenty publications. Currently, she works as a… Read more »
Matthew Hobson
The Audubon Guide to North American Suicides

Matthew Hobson - The Audubon Guide to North American Suicides

Creative Nonfiction
Matthew Hobson's work has appeared in literary journals including Hayden's Ferry Review, The Chattahoochee Review, River City, South Dakota Review, and Gulf Stream Literary Magazine. He is a man of a… Read more »
Rebecca Orchard
The Farm Before the Hills

Rebecca Orchard - The Farm Before the Hills

Fiction
Rebecca Orchard is a writer and classical musician who majored in French horn at the Peabody Institute of the Johns Hopkins University. Her studies have taken her to Vienna and throughout the US,… Read more »
John Goulet
The Hyena Man

John Goulet - The Hyena Man

Fiction
John Goulet grew up in Boston, Colorado and Iowa. He attended St. John’s University, San Francisco State, and the University of Iowa Writers’ Workshop. After serving in the Peace Corps in… Read more »
Piotr Gwiazda
The Propertyless

Piotr Gwiazda - The Propertyless

Poetry
Born and raised in Poland, Piotr Gwiazda is a poet, critic, and translator. He has published two books of poems, Gagarin Street (2005) and Messages (2012), a critical study James Merrill and W.H.… Read more »
Daniel Butterworth
Toward Death

Daniel Butterworth - Toward Death

Poetry
D. S. Butterworth teaches literature and creative writing at Gonzaga University. He has a creative non-fiction book from Algonquin, Waiting for Rain: A Farmer’s Story, and a book of poems, The… Read more »
Michael Capel
Walk

Michael Capel - Walk

Fiction
Michael Capel received an MFA in fiction writing from Boise State University. His short stories have appeared in Sou’wester, South Dakota Review, Barnstorm and Existere. Born in upstate New York, he… Read more »
Sheila O’Connor
Winter Boys

Sheila O’Connor - Winter Boys

Creative Nonfiction
Sheila O’Connor is the award-winning author of four novels: Keeping Safe the Stars, Sparrow Road, Where No Gods Came and Tokens of Grace. Her poetry and fiction have been recognized with fellowships… Read more »

The Hyena Man

John Goulet

There’s a place in eastern Ethiopia where a man feeds hyenas by hand. He’s called the Hyena Man. For a few dollars he’ll give you a stick with some meat on the end, and you can feed the hyenas, too. This takes place at night, near a big bonfire. The hyenas come in from the dark and growl and grab the meat and go off. I was on a tour with three other ex-Peace Corps volunteers and we all thought it would be an interesting thing to do, feed the hyenas, but afterwards we felt let down, we didn’t know why exactly. This was about ten years ago when I went back to that splendid disaster of a country to see what had become of it since I’d taught school there in the sixties.

There’d been a Hyena Man back in the sixties, a different one of course—the Hyena Man is a title, a station in life, a career, and doesn’t refer to a specific individual—but I worked in a different part of the country and never got to watch him in action. At that time I was involved with a woman who taught in a small village in coffee-growing country. Every other weekend I’d get on the bus headed south from the capital. These were big, new German busses, filled with quiet, elegant men clothed in rags, and slender women who dressed their hair with rancid butter and during the occasional rest stops spread out their wide skirts and stooped to pee. And chickens and goats. It took about eight hours to get to the T intersection and the narrow, rutted path that led to my friend’s village and by that time it was around midnight.

There was no Hyena Man in that part of the country, but there were plenty of hyenas. No sooner had the bus rumbled off—tiny headlights disappearing down a shadow—than they started welcoming me. I’m not a mimic and can’t do a hyena howl, but I can still hear those babies, fifty years later, the eerie symphony that followed me in the dark the twenty-minute walk from where the bus left me to my friend’s house. I think I was uneasy, but not scared. I wasn’t thinking of the hyenas’ hunger and how they must have been watching my flickering flashlight beam and listening to my footsteps on the path. No, I was thinking of the woman who was waiting for me in the dark village (the electricity went off at nine o’clock). I was thinking of the woman’s bed with its legs immersed in water-filled buckets to keep off the coffee spiders, and the woman herself lying on that bed naked. If I thought of the hyenas at all it was to tell myself that ignoring them proved my love for the woman.

The woman and I didn’t wait to get back to the States to get married—we did the deed that summer in Addis. She was a very good looking woman, tall and slender; people mentioned her resemblance to Virginia Woolf. As it turned out, we weren’t suited for each other, but we didn’t know that then, and behaved as if we would be together all our lives. After our stint teaching in Ethiopia, we enrolled in an English graduate program in the Midwest, and both earned advanced degrees. We had a baby and I wasn’t drafted into the Army to fight in the war that was raging at that time in Asia. Then I got a job teaching at a small private college and we settled down to live a normal life. Things went downhill after that, as they often do.

In the years since I fed the hyenas on that return trip to Ethiopia, I have imagined that the Hyena Man invited me into his shack to meet his family. In truth, he did no such thing, but I have still imagined it. It is early evening. I peer in at the door. A naked toddler with flies clustered around her eyes crawls on a dirt floor. In one corner a woman in a tattered shawl is tending a brazier. The chairs and small beds are made of the narrow trunks of young eucalyptus trees and bound together with leather straps. On the radio a man is speaking very fast in Amharic. In a distant room a baby is bawling. The air is thick with the stink of the pail of offal set beside the door—the offal is for the tourists to give to the hyenas. In the midst of this the Hyena Man sits crosslegged, he is sharpening the sticks that the tourists will use to feed the hyenas.

He rises and waves me in. I meet his wife and children—four of them, none of them higher than my knee. The wife disappears and comes back a minute later carrying a tray with a bottle of the local beer and glasses for her husband and me. I accept the beer and drink heartily. The Hyena Man speaks just enough English and I speak just enough Amharic that we can discuss the terrible drought and the famine it has caused. But it becomes clear as we struggle to converse that he has something else on his mind, and gradually the pressure of what he has not yet said becomes so heavy that we fall silent. At that point, he motions that I should follow him into an even darker adjoining room, and I do. Gradually, my eyes adjust. In the corner a kind of playpen gradually becomes visible. Inside it, an ancient wizened little beast cowers. The thing can barely stand, and makes a pitiful noise when the Hyena Man stoops and picks it up and brings it to me, cradling it in his arms as if it were a baby.

But it’s not a baby, it’s a hyena—grown bald with age, its shrunken head little more than a lolling tongue, yellowed teeth and eyes the size of fingernail parings.

“Here,” the Hyena Man says in his suddenly improved English. “Take him!”

I hesitate, but he thrusts the ancient beast into my arms.

I look into its tiny, slitted eyes, and then at the Hyena Man.

“He’s been waiting for you all these years,” he says.

I ask him what he means.

“The road to the village,” he says. “Remember?”

Perhaps it’s the shudder that runs through my body that triggers the attack. Suddenly the beast’s jaws are on my throat, crushing my windpipe. My sight blurs as I fall to the floor.

“Fool,” the Hyena Man says. “Fool.”

Read more »