Michael Gray
A Memory of Hands

Michael Gray - A Memory of Hands

Fiction
Mike Gray received his MFA from Florida Atlantic University in 2012 and currently serves as an English Instructor at Hazard Community and Technical College in Kentucky. His fiction has appeared in… Read more »
Craig Buchner
American Metal

Craig Buchner - American Metal

Fiction
Craig Buchner's short stories have appeared in Tin House, Hobart, SmokeLong Quarterly, and other literary journals. Craig teaches writing and lives in Portland, OR. You can find more of his work at… Read more »
Joshua Idaszak
Aralık

Joshua Idaszak - Aralık

Fiction
Joshua Idaszak is from Washington, DC. He has lived and worked in Australia, Turkey, and Spain, and will be attending the MFA program at the University of Arkansas this fall.  Read more »
M. M. Adjarian
Birdman

M. M. Adjarian - Birdman

Sprints
M. M. Adjarian is a writer and professor. She has published creative work in The Provo Canyon Review, The Milo Review, From the Depths, and Empty Sink Publishing. Her articles and reviews have also… Read more »
James Norcliffe
Blue

James Norcliffe - Blue

Poetry
James Norcliffe is a NZ poet, editor and writer of novels for young people (mainly fantasy) including the award-winning The Loblolly Boy. He has published eight collections of poetry, most recently… Read more »
Justin Brouckaert
Charlevoix

Justin Brouckaert - Charlevoix

Fiction
Justin Brouckaert’s work has appeared in The Rumpus and Passages North, among other publications. He is a James Dickey Fellow in Fiction at the University of South Carolina, where he serves as… Read more »
Sharon Rawlette
Cop Cars

Sharon Rawlette - Cop Cars

Sprints
Sharon Rawlette lives in Virginia’s Northern Neck, 20 miles from the hospital where she was born. She holds a PhD in philosophy from New York University, and her essays have appeared or are… Read more »
Carolyn Williams-Noren
Evening, End of Summer

Carolyn Williams-Noren - Evening, End of Summer

Poetry
Carolyn Williams-Noren is a 2014 winner of a McKnight Artist Fellowship, selected by Nikky Finney. She has recent poems in Gigantic Sequins and Bluestem and forthcoming in Sugar House Review and… Read more »
Karen Kasaba
Flown

Karen Kasaba - Flown

Sprints
Karen Kasaba’s stories, essays, and articles have appeared in Swink, Wilderness House Literary Review, Red Wheelbarrow, Santa Barbara Magazine (Fiction Competition Winner), Hawai‘i Review,… Read more »
Kate Lister Campbell
Free Swim

Kate Lister Campbell - Free Swim

Fiction
Kate Lister Campbell lives with her husband in Brooklyn, NY, but is originally from Kansas City, MO. When not writing, she helps to design job training and placement programs for people with barriers… Read more »
Vincent Poturica
Habte

Vincent Poturica - Habte

Fiction
Vincent Poturica lives in Gainesville, FL, but he will soon be moving with his soon-to-be wife to Long Beach, CA. His stories and poems have appeared or are forthcoming in Birkensnake, Bodega, FRiGG,… Read more »
Suzanne Simmons
Hospice

Suzanne Simmons - Hospice

Poetry
Suzanne Simmons is a poet and essayist who lives in the lakes region of New Hampshire. She holds an MFA in Poetry from New England College. Her work has appeared or is forthcoming in Calyx, The New… Read more »
Helen Ellis
How to Be a Grown Ass Lady

Helen Ellis - How to Be a Grown Ass Lady

Sprints
Helen Ellis is the author of the novel, Eating The Cheshire Cat (Scribner). Her short stories have appeared recently or are forthcoming in FiveChapters, Blue Mesa Review, Monkeybicycle, The Weekly… Read more »
Ginny Hoyle
How to Breathe

Ginny Hoyle - How to Breathe

Contest - 2nd Place
Ginny Hoyle’s work has appeared in Copper Nickel, MARGIE, Pilgrimage, Wazee and elsewhere. She collaborates with Colorado artist Judy Anderson to create freeform artist books and installations.… Read more »
Shirley Fergenson
How to Leave a Garden

Shirley Fergenson - How to Leave a Garden

Contest - 3rd Place
Shirley Fergenson is the literary fiction specialist at The Ivy Bookshop. This piece is part of a collection of linked stories she began during her Masters in Fiction Writing at Johns Hopkins… Read more »
Diana Spechler
How to Love a Telemarketer

Diana Spechler - How to Love a Telemarketer

Contest - 1st Place
Diana Spechler is the author of the novels Who by Fire and Skinny. She has written for The New York Times, The Wall Street Journal, Glimmer Train Stories, The Southern Review, The Paris Review Daily,… Read more »
Michael Trocchia
How to Make a Thing to Believe in

Michael Trocchia - How to Make a Thing to Believe in

Poetry
Michael Trocchia is the author of The Fatherlands(MPP 2014) and the forthcoming collection of poems Unfounded (FutureCycle 2015). His poems and prose have appeared in journals such as Asheville Poetry… Read more »
Evan Beaty
Jurisprudence

Evan Beaty - Jurisprudence

Poetry
Evan Beaty lives in San Antonio, Texas. Read more »
Brenda Peynado
Swimming Lessons

Brenda Peynado - Swimming Lessons

Creative Nonfiction
Brenda Peynado has work appearing or forthcoming in The Threepenny Review, Black Warrior Review, Pleiades, Cimarron Review, and others. She received her MFA from Florida State University where she was… Read more »
Marjorie Stelmach
The Stylite Prays for Visions

Marjorie Stelmach - The Stylite Prays for Visions

Poetry
Marjorie Stelmach’s most recent book of poems is Without Angels (Mayapple, 2014). Earlier volumes include Bent upon Light and A History of Disappearance (University of Tampa Press) and Night… Read more »
Meng Jin
The Weeping Widow

Meng Jin - The Weeping Widow

Fiction
Meng Jin was born in Shanghai, China, and now lives in New York City where she is an MFA candidate in fiction at Hunter College. Her fiction has appeared in Bound Off and Drunk Monkeys, and is… Read more »
Erika Kleinman
Their Names

Erika Kleinman - Their Names

Creative Nonfiction
Erika Kleinman has work published or forthcoming in The Rumpus, The Apple Valley Review, and Salon. She is essays editor for The Nervous Breakdown. She lives in Austin, Texas with her husband and two… Read more »
Landon Houle
When Trapped in a Car under Water

Landon Houle - When Trapped in a Car under Water

Fiction
Born in Brown County, Texas, Landon Houle currently lives in South Carolina and works as an editor at In Fact Books. She is a winner of Permafrost’s Midnight Sun fiction contest and Crab Creek… Read more »

How to Leave a Garden

Shirley Fergenson

“We must cultivate our garden.” Voltaire


You may never need to know this. I certainly didn’t think I would. But in the name of good sportsmanship, I pass this on.

First you cry, but not near the delphiniums. Their melancholy, stooped, blue spires in no way advocate for their tolerance of salt. Their downright finicky need for full sun, cool temperatures, high humus content, and a neutral pH, should argue against their presence in the garden at all. But it doesn’t. You probably agree. Some things are worth fussing over.

The young plumbagos, on the other hand, wear their baby blue crowns like they’re expecting to be stepped on, spreading willy nilly past defined borders, low to the ground and underfoot. The more mature plumbagos dare you to remember that their prickly brown seedpods were once as soft as the youngsters they replaced. A few tears won’t kill them. Delicate and hardy, I leave them both to you, to fail or thrive without me.

For as many years as it has taken the wanton wisteria to overwhelm the stalwart silver maple, unlucky enough to have been planted too close, I have been friend, midwife, and undertaker to these four acres. If I had done half as well in the house with Richard, I might be there yet. Give me a chrysanthemum, and I know just when to stop pinching back to get the best bloom: a skill I never mastered with my husband.

So: I leave Richard; I leave the house; I leave the garden.

The boxwoods, thank goodness, can take care of themselves. Study them to see how well they manage: seventy years old and still able to regenerate after a hard pruning. The last time I cut out so many yellow and orange cupped-leaf branches—phytophthera infestans the extension agent said after I sent him a sample—I wondered if maybe it was finally too much. But it wasn’t. The next spring tiny green fingers, sprouting everywhere there was a cut, tickled me back when I ran my hands over their innocent exuberance.

You can practically take the ferns for granted, but don’t. Their brave fetal push through last season’s seemingly impenetrable carpet of leaves defines hope. Every spring be amazed that their fiddleheads are tough enough to break through. They hoard their strength in tight rolls, and only unfurl to feathery delicacy when they are well past the hardship of their birth. Take note.

If the ferns aren’t compelling enough, look to the peonies. Pale, fleshy tips break cover in early spring and break hearts: they are too pink to survive. An oblivious foot, an unrestrained rake or a too heavy hand at weeding reduces the potential of the most sanguine nib. But, like the ferns, they take their strength from their fierce self-centeredness. Only when their heads reach above foot level do they forgive their enemies, and unfurl with mitten-leafed optimism.

And, as if they wouldn’t be invited back without a gift for the hostess, they offer up creamy, fat buds, so heavy they can barely lift their heads: certainly too heavy to open by themselves.

So they call for help. Ants.

Do not spray.

The sticky nectar is their reward for releasing a mille-feuille of silky petals. Be prepared when the sun-gold stamen draws you ineluctably down to inhale. There is no aroma, except maybe that of the lily-of-the-valley, which is more seductive. Tuck a bloom behind your ear. Richard does not like store-bought perfume.

I leave them to you because I cannot grow where they are. I thought if I nurtured them, they would return the favor. If I didn’t cut the daffodil leaves until their bulbs resorbed the lifeblood for next year’s flowers, they would shield me. If I cut back the bearded iris in the summer and carefully pulled dirt away from their rot-prone, tuberous chests, they would stand guard for me the following spring. If I divided the astilbes so their pink, red and white plumes had room to toss their pretty heads like young girls who know they are being watched, they would warn me, somehow. But they didn’t. I may have been asking too much. It doesn’t matter.

I have a confession: there’s no excuse for what I did to the clematis. Up to the very end, I lied to myself. Why did I plant five new varieties on the sunny side of the fence, when I wouldn’t be around to keep their feet cool with a ground cover? So what if I tied their frail leaders, oh so tenderly, to the uprights? They needed to be under-planted. I knew that. And I acted as if I had all the time in the world, that the searing sun was months away. And it was. But I was long gone by then—except for stealth visits when I knew Richard was out.

They burned. Like babies left out without their bonnets. Crisp. Brown.

I don’t deserve to be forgiven for that. But somehow the cosmos and impatiens, one-season annuals, don’t hold a grudge. A trick neither Richard nor I ever learned. They reappear on their own in heavily mulched beds, like forgotten deposits growing unexpected dividends. You may wonder why the rest of the annuals stay missing. In my own defense, I left before Mother’s Day, the safe frost-free planting date. Weeds have filled in for the zinnias, ageratum and salvia, like unrehearsed understudies. I’m embarrassed to leave such a mess. If you don’t mind a suggestion, think about sweet alyssum next to the volcanic rock border. It looks like fairy dust.

The beech was not my fault. The drought was so severe, no matter how many times I moved the hose, the hydrangea or the weeping cherry, or the kousa dogwood stayed too thirsty. The tree surgeon said it was already stressed, that the lindane, toxic as it was, could not recall the invitations the beech had sent out. The bark beetles feasted. There was nothing to be done but use the logs in the woodstove.

That should have been the end, but it wasn’t. When the beech came down, the yellowwood scalded from too much sun hitting its previously shaded, forked crotch. And the pachysandra, like supplicants in a holy temple of dappled shade, suddenly destroyed, couldn’t shrivel fast enough. A once lush bed shrank to a few hardy survivors. I’ve seen some new offshoots this spring. It may come back yet, if you’re patient about weeding the vacated spaces; give the new life a chance to take hold.

Inasmuch as I chose to leave, I admit I’m surprised how quickly Richard has replaced me with an exotic variety. I wonder if you’ll thrive in foreign soil. I hear you’re an accomplished gardener in zone four, but I could probably still give you some pointers for zone seven: how to conserve moisture during the dog days—mulch deeply around the magnolia; how to send roots deeper and wider for nourishment—deep water the sunflowers until they refuse to be uprooted at the end of the season; how to plant next to a sympathetic, concurrently blooming variety—choose a bird-magnet mulberry tree, as a willing martyr for the sour cherry.

But you’ll probably want to find out for yourself. You’d mistrust my motives, anyway, as if I’d leave out the secret ingredient in my anti-damping-off potting mixture.

Smell, feel, and taste the dirt, so if you ever have to leave, your nose, fingers, and mouth will remember. There is no substitute for torn-cuticle, broken-nail gardening. You know that. You’ll worry holes with your index and middle finger through every pair of gloves you buy, no matter how durable the label promises. You’ll grind through the knees of your pants. And don’t become too attached to your tools. You’ll lose your trowel in a frenzy of finishings whenever Richard calls you away from your seedlings to tend to him.

Let it be the morning glories rather than the delphiniums that draw your tears. A bit of salt won’t hurt them. Their frail blueness belies their tough, sweet potato vine ancestry. Maybe you already know that the seeds require a twenty-four-hour soak and nicking of their hard seed coat before planting, that their jack-in-the-beanstalk growth pattern is splendid for covering up eyesores.

But there is something else. Someone should warn you.

The most dangerous time will be mid-morning when their pale throats are open so achingly wide, as if their honest vulnerability could stop the inevitable. In an hour their heavenly blue bells will be twisted shut; in a day they will be litter off the vine to be gathered for compost.

Gardeners learn best from experience.

A final tip: it was never Eden. And you don’t really need four acres. Window boxes planted with dusty miller, trailing vinca, and blue salvia can be quite lovely, viewed from a dining table set for one.

And if you add lantana, expect hummingbirds. Call it a party when they sip nectar from their tiny, ruby and amethyst pitchers.

Read more »