Zach VandeZande
Allies

Zach VandeZande - Allies

Fiction
Zach VandeZande is an Assistant Professor at Central Washington University. He is the author of the novel Apathy and Paying Rent (Loose Teeth, 2008) and the forthcoming Lesser American Boys (Ferry… Read more »
Kalila Holt
Care Taking

Kalila Holt - Care Taking

Fiction
Kalila Holt is from Chicago and now lives in Brooklyn. She's previously appeared in wigleaf, and she produces the podcast Heavyweight. People are always asking her, "Did you get a haircut?" and… Read more »
Rebecca Aronson
Dear Gravity [Shall I Call You Shiva?]

Rebecca Aronson - Dear Gravity [Shall I Call You Shiva?]

Poetry
Rebecca Aronson is the author of Ghost Child of the Atalanta Bloom, winner of the 2016 Orison Books Poetry Prize and finalist for the 2017 New Mexico/Arizona Book Awards, and Creature, Creature,… Read more »
Dannye Romine Powell
Early Autumn

Dannye Romine Powell - Early Autumn

Poetry
Dannye Romine Powell’s fourth collection (2015) is Nobody Calls Me Darling Anymore from Press 53. Her poems have appeared over the years in Prairie Schooner, Poetry, Ploughshares, Gettysburg Review,… Read more »
Nancy Chen Long
Eight Ways of Looking at a Man-Kite

Nancy Chen Long - Eight Ways of Looking at a Man-Kite

Poetry
Nancy Chen Long is the author of Light into Bodies (University of Tampa Press, 2017), winner of the Tampa Review Poetry Prize. She is the recipient of a National Endowment of the Arts Creative Writing… Read more »
Ande Davis
Firefly Season

Ande Davis - Firefly Season

Fiction
Ande Davis lives, teaches, and writes in Northeast Kansas. His work has previously appeared in PANK, Hawai’i Review, South Dakota Review, and cream city review, among others. Read more »
Carolyn Oliver
Horse Latitudes

Carolyn Oliver - Horse Latitudes

Poetry
Carolyn Oliver’s poetry has appeared or is forthcoming in FIELD, Indiana Review, The Shallow Ends, The Greensboro Review, Booth, Glass, Lunch Ticket, and elsewhere. She won the 2018 Writer’s Block… Read more »
Julie Marie Wade
Portrait of Regret as a Door-to-Door Salesman

Julie Marie Wade - Portrait of Regret as a Door-to-Door Salesman

Poetry
Julie Marie Wade is the author of ten collections of poetry and prose, including Wishbone: A Memoir in Fractures, Small Fires, Postage Due, When I Was Straight, Catechism: A Love Story, SIX, Same-Sexy… Read more »
Kathleen Lane
Stealers

Kathleen Lane - Stealers

Fiction
Stories from Kathleen Lane’s recently completed short story collection, Deaths I’ve Imagined, can be found in Los Angeles Review, Berkeley Fiction Review, Writer’s Digest, Swink Magazine, Forest… Read more »
John Hazard
Testing

John Hazard - Testing

Fiction
John Hazard lives in Birmingham, Michigan. He has taught at the University of Memphis and, more recently, at Oakland University and the Cranbrook Schools in suburban Detroit. His fiction has been… Read more »
Sarah Starr Murphy
The Birth of Athena

Sarah Starr Murphy - The Birth of Athena

Fiction
Sarah Starr Murphy is a writer and teacher in rural Connecticut whose stories have appeared or are forthcoming in The Forge Literary Magazine, Opossum, Menda City Review, and several others. She… Read more »
Rachel Greenley
The Cedar

Rachel Greenley - The Cedar

Creative Nonfiction
Rachel Greenley is a Seattle-based writer. Her work has appeared in Brevity, Months To Years, and Wayne Literary Review. Rachel's memoir manuscript The Lake Effect: an excavation of love and loss… Read more »
Frank Haberle
The Snow Catches Up

Frank Haberle - The Snow Catches Up

Fiction
Frank Haberle’s short stories have won awards from Pen Parentis (2011), Beautiful Losers magazine (2017) and the Sustainable Arts Foundation (2013). They have appeared in more than 30 magazines… Read more »
Amanda Moore
Transmutation

Amanda Moore - Transmutation

Creative Nonfiction
Amanda Moore's poetry has appeared in journals and anthologies including ZZYZVA, Cream City Review, Tahoma Literary Review, Best New Poets, and Mamas and Papas: On the Sublime and Heartbreaking Art of… Read more »
Sarah Salway
Waves

Sarah Salway - Waves

Fiction
Sarah Salway is a novelist, poet and writing tutor based in Kent, England. Her novels have been translated into several languages, and her poetry has appeared in many places including financial… Read more »
Emily Paige Wilson
What I’ll Tell My Great-Great-Granddaughters

Emily Paige Wilson - What I’ll Tell My Great-Great-Granddaughters

Poetry
Emily Paige Wilson’s debut chapbook I’ll Build Us a Home was published by Finishing Line Press (2018). She has received nominations for Best New Poets, Best of the Net, and the Pushcart Prize. Her… Read more »
Daniel Turtel
White Horses

Daniel Turtel - White Horses

Fiction
Daniel Turtel grew up in Asbury Park, New Jersey. He graduated from Duke University in 2013 with a degree in mathematics and has been living in New York City since. In 2018, he won the Faulkner… Read more »

The Cedar

Rachel Greenley

The only sound was the boy’s rushing fall and the slap of cedar boughs against his body. The thicker branches triggered thumps and groans as the weight of that body pinballed from one branch to the next—down, down, down.

Now, as an adult looking back, I recall him as a teenager. I ask my mother, and she says, "No, he was about ten."

"Really? He was my age? Was it a potluck? I have a memory of a hippie potluck."

"Yes, that's exactly what it was."

My parents themselves were hippies but had started a fade to convention. We, for example, lived in a house—granted an old house, without a television or working toilet—but we weren’t the yurt family, or the dome family, or the tent family. We were the house family.

"I remember adults encouraging him to climb, but some saying it was dangerous."

"No," my mother says, "It was more of a laid-back attitude. We let you kids be kids."

The boy wanted to climb. Had it been a dare? An impulse? He wasn't the only one to monkey up that tree. He was simply the one to make it to the top. I remember another child climbing—slower, more tentative—when the falling boy's body came rushing past.

I imagine his climb through the shadows of that tall cedar. How the thick-ridged bark, cracked with age, felt under his palms. A spicy sweet musk surrounding him. Overgrown branches, shaggy with their flat, waxy needles, spiral clusters of tiny cocoa cones shaped like rough-edged rose buds. It was a glossy summer day—yet inside the tree, quiet shade and shelter. I imagine a hidden world—squirrels harvesting patches of stringy bark for their nests. Aphids and beetles and sawflies feeding on the tree's peeling coat and sticky sap. Waxwings and sparrows perched on limbs, their simple song rising in crescendo when the boy placed his hand on the first branch. The boy wouldn’t have discovered any of this in his rapid ascent.

The tip of a tree is called its leader because it leads new growth upwards. The boy reached the leader and had a moment of glory. He was so high, I could not see the expression on his face when he climbed out of the boughs and clung to the tip. He called to us ants below. You could hear the pride in his voice.

He began to sway, riding the tip like his limbs were wrapped around a metronome, back and forth, back and forth, back and forth. It was mesmerizing at first. But the sway became violent as he forced the rhythm to pick up the pace, his body and the peak of the tree whipping from side to side.

Then the snap.

He seemed suspended in air for a moment. Then the cedar flung him, its broken tip trailing the boy through thick branches as he hurtled to the ground.

The adults became adults. Voices shouting, feet running, encircling the boy's body. He was conscious but disoriented. I remember his soft moans as he lay in a heap at the base of the tree, as if he were coming out of a bad dream.

I was suspicious of the adults that surrounded me then. I was a serious child—tense and self-righteous—and they embraced play too much for my liking. Grown men with shaggy beards on stilts. Grown women with messy braids harvesting edible plants. Impromptu concerts in meadows, with string instruments, handmade drums, and hands slapping knees. These adults drove beater cars and had jobs that weren't really jobs in my book—like selling goats' milk, or swinging a hammer, or baking cakes.

My mother laughs at my child's view of this time. She says I have it all wrong.

I tell my mother that I didn’t dislike these adults in my periphery. What I don’t tell her is that I couldn't trust them to keep me safe.

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