Rebecca Aronson
Dear Gravity [Shall I Call You Shiva?]

Rebecca Aronson - Dear Gravity [Shall I Call You Shiva?]

Poetry
Rebecca Aronson is the author of Ghost Child of the Atalanta Bloom, winner of the 2016 Orison Books Poetry Prize and finalist for the 2017 New Mexico/Arizona Book Awards, and Creature, Creature,… Read more »
Dannye Romine Powell
Early Autumn

Dannye Romine Powell - Early Autumn

Poetry
Dannye Romine Powell’s fourth collection (2015) is Nobody Calls Me Darling Anymore from Press 53. Her poems have appeared over the years in Prairie Schooner, Poetry, Ploughshares, Gettysburg Review,… Read more »
Nancy Chen Long
Eight Ways of Looking at a Man-Kite

Nancy Chen Long - Eight Ways of Looking at a Man-Kite

Poetry
Nancy Chen Long is the author of Light into Bodies (University of Tampa Press, 2017), winner of the Tampa Review Poetry Prize. She is the recipient of a National Endowment of the Arts Creative Writing… Read more »
Carolyn Oliver
Horse Latitudes

Carolyn Oliver - Horse Latitudes

Poetry
Carolyn Oliver’s poetry has appeared or is forthcoming in FIELD, Indiana Review, The Shallow Ends, The Greensboro Review, Booth, Glass, Lunch Ticket, and elsewhere. She won the 2018 Writer’s Block… Read more »
Julie Marie Wade
Portrait of Regret as a Door-to-Door Salesman

Julie Marie Wade - Portrait of Regret as a Door-to-Door Salesman

Poetry
Julie Marie Wade is the author of ten collections of poetry and prose, including Wishbone: A Memoir in Fractures, Small Fires, Postage Due, When I Was Straight, Catechism: A Love Story, SIX, Same-Sexy… Read more »
Emily Paige Wilson
What I’ll Tell My Great-Great-Granddaughters

Emily Paige Wilson - What I’ll Tell My Great-Great-Granddaughters

Poetry
Emily Paige Wilson’s debut chapbook I’ll Build Us a Home was published by Finishing Line Press (2018). She has received nominations for Best New Poets, Best of the Net, and the Pushcart Prize. Her… Read more »

Portrait of Regret as a Door-to-Door Salesman

Julie Marie Wade

Look there, through the peephole.
See him straightening his tie?
See him brushing dandruff
from his shoulders, fingers
passing through his rumpled hair?

Hello, Ma’am, are you the lady of the house?

Rumpelstiltskin, more like: spinning straw into gold—
peddling lapis lazuli for a fool’s price.

I have some encyclopedias here I’m only too happy to show you.
(Or 35 styles of Tupperware. Or sailboats admirably bottled.)

You pass your hand through the flap in the
tattered screen door. He squeezes your palm till it’s sore.

What’s a man gotta do in a town like this to get himself a fresh cup of coffee?

He has a foot in now. You’re proud
of your coffee, percolating on the counter since dawn.

It just so happens, he says, I’m runnin’ a two-for-one-special today.
26 books for the price of 13. Don’t have to skip a letter.

His front teeth bared; the crooked yellow gleam.
Scent of Old Spice and shoe polish.

Nice place you got here. Might have to take my shoes off, sit a spell.

Look there, through the parlor.
See how he stretches his scrawny legs?
See how he splays his heels on your window ledge?
Notice the hole in his sock that, sooner or later,
he’ll ask you to darn.

So tell me, Miss Lily, is there a Mister?

Ichabod Crane, more like: insatiable appetite—
I saved you a seat (patting the davenport pillow).

You’re flustered now, tugging your apron strings,
ankles wobbling in your shoes. To cover, you offer him
spice cake, a blunt knife, a small plate of butter.

You know, he says, feed a man this good (wiping the smug
swirl of his mouth), he’s liable to stay forever.
Read more »