Jacob Weber
American as Berbere

Jacob Weber - American as Berbere

Fiction
Jake Weber learned to speak Korean and to love literature during six otherwise wasted years in the Marine Corps. Afterwards, he published a few poems and earned a B.A. and an M.A. in English, the… Read more »
Jeffrey Morgan
Another Man They Think I Am at Heart

Jeffrey Morgan - Another Man They Think I Am at Heart

Poetry
Jeffrey Morgan is the author of Crying Shame. His poems have appeared in Bellevue Literary Review, Pleiades, Rattle, Third Coast, and West Branch. Read more »
Jordan Farmer
Arrows

Jordan Farmer - Arrows

Fiction
Jordan Farmer is originally from Logan, West Virginia, and is currently a Ph.D. student studying creative writing at the University of Nebraska-Lincoln. His fiction has been a finalist of both the… Read more »
Michelle Donahue
Bozika

Michelle Donahue - Bozika

Fiction
Michelle Donahue is a current MFA candidate in Creative Writing & Environment at Iowa State where she was the managing editor of Flyway. Her work has appeared in Hobart, Whiskey Island, Front… Read more »
Damon Barta
Flight Path

Damon Barta - Flight Path

Fiction
Damon Barta once lived in a place where he could see for miles in every direction. He now lives safely among trees. His work has appeared in several print and online journals. Selected fiction can be… Read more »
Elizabeth Langemak
Green Hole

Elizabeth Langemak - Green Hole

Poetry
Elizabeth Langemak lives in Philadelphia, Pennsylvania. Read more »
Mark Lee Webb
It is Raining and the Planks on Lewes Pier Bleed

Mark Lee Webb - It is Raining and the Planks on Lewes Pier Bleed

Poetry
Mark Lee Webb is a native of Kentucky, but as a teenager lived in California. He knows where a skeg is on a surfboard and how to get from Malibu to Westwood via Mulholland. But he also knows how to… Read more »
Terrance Manning, Jr.
Kentucky Pisser

Terrance Manning, Jr. - Kentucky Pisser

Fiction
Terrance Manning, Jr., is a graduate from Purdue’s MFA program in Creative Writing (2014). Recently, he received 1st place in the Boulevard Short Fiction Contest for Emerging Writers, the David… Read more »
Maggie Nye
Mourning with Strangers

Maggie Nye - Mourning with Strangers

Creative Nonfiction
Born and raised in Gaithersburg, Maryland, Maggie Nye is a current MFA candidate at the University of Alabama in Tuscaloosa. Her fiction appears in Paycock Press’s anthology Defying Gravity. This is… Read more »
Moriah Cohen
On Learning the Year Used to be 410 Days Long

Moriah Cohen - On Learning the Year Used to be 410 Days Long

Poetry
Moriah Cohen’s poetry has been published or is forthcoming in Hayden’s Ferry Review, Hoot: A Mini Literary Magazine on a Postcard, Stone Highway Review, and Narrative where she was runner-up in… Read more »
Tamie Parker Song
Picking Raspberries

Tamie Parker Song - Picking Raspberries

Creative Nonfiction
Tamie Parker Song lives and writes in Sitka, Alaska. Other essays of hers can be found in Connotations, Cirque Journal, and terrain.org. Read more »
Sally Rosen Kindred
Proposing to Dickens

Sally Rosen Kindred - Proposing to Dickens

Poetry
Sally Rosen Kindred is the author of two poetry books from Mayapple Press, No Eden (2011) and Book of Asters (2014), and a chapbook, Darling Hands, Darling Tongue (Hyacinth Girl Press, 2013). Her… Read more »
Amy Wright
Scientists Film Inside A Flying Insect

Amy Wright - Scientists Film Inside A Flying Insect

Poetry
Amy Wright is the Nonfiction Editor of Zone 3 Press and Zone 3 journal and the author of four poetry chapbooks. She received a Peter Taylor fellowship for the Kenyon Review Writers Workshop, an… Read more »
Danielle LaVaque-Manty
Starfish

Danielle LaVaque-Manty - Starfish

Fiction
Danielle LaVaque-Manty lives in Ann Arbor, Michigan. Her fiction has appeared in Glimmer Train, The Alarmist, Punchnel’s, Great Lakes Review, and Midwestern Gothic, and is forthcoming in The Pinch. Read more »
Michael Compton
The Flying Man

Michael Compton - The Flying Man

Fiction
Michael Compton is a screenwriter from Memphis, Tennessee. His poetry and prose have appeared in African American Review, Forge, The New Encyclopedia of Southern Culture, The Tulane Review, and… Read more »
John A. Nieves
The Moment of the Fall

John A. Nieves - The Moment of the Fall

Poetry
John A. Nieves has poems forthcoming or recently published in journals such as: Southern Review, Poetry Northwest, and Fugue. He won the 2011 Indiana Review Poetry Contest and his first book, Curio… Read more »
Victor Walker
The Trouble with Harry

Victor Walker - The Trouble with Harry

Fiction
Victor Walker is a former university professor and a full-time writer. His short stories have appeared in New Black Voices, The Wisconsin Review, The Long Story, The MacGuffin, The Red Rock Review… Read more »
Jennifer Bryan
Trying to Know You

Jennifer Bryan - Trying to Know You

Fiction
Jennifer Bryan grew up in Spokane, Washington. She received an MFA from Bowling Green State University and a PhD in English from the University of Nebraska-Lincoln. She was the 2011 Kimmel Foundation… Read more »
Paul Crenshaw
What We Say

Paul Crenshaw - What We Say

Creative Nonfiction
Paul Crenshaw’s stories and essays have appeared or are forthcoming in Best American Essays, anthologies by W.W. Norton and Houghton Mifflin, Glimmer Train, Ecotone, North American Review, and… Read more »

What We Say

Paul Crenshaw

It’s the 4th of July and we’re sitting in our uniforms, hot and sweating and half-drunk in the last sunlight, when the reporter asks to interview us about the war.

This is 1991 and the troops have just returned home. There are parades in every city, the entire country rejoicing over the victory in the Gulf, which is, we have been told, a victory for democracy and the forces of good in the world.

Now the fireworks have started, unfurling overhead, concussions echoing off the sides of the buildings, fire mirrored in the glass towers of downtown Columbia, South Carolina, not far from Fort Jackson, where we are in the second half of our military training. A few hours earlier we had assembled near the mirrored buildings, then marched through streets packed with thousands of people waving little flags, the air so hot it was sucked from our lungs, the asphalt burning beneath our boots while a military band played “Off We Go Into the Wild Blue Yonder” and “The Army Goes Rolling Along” and “The Star-Spangled Banner.” People cheered from every street corner. They hung from the windows of the buildings as fighter jets flew overhead and helicopters landed in parking lots so people could crawl inside them and imagine engaging the enemy.

After the parade there was a huge celebration in the city, streets blocked off by policemen with mirrored eyes. Loudspeakers played music and food trucks sold hot dogs and hamburgers and a general sense of revelry hung in the hot air. Freed from parade duty, my friends and I wandered the vendor stalls, all of us eighteen or nineteen years old, just out of high school or just starting college. Several times we were stopped by civilians who thanked us for our service, but when we explained that we had been stateside for the war and had not fought, we received strange looks, some of them angry, as if we had set out to deliberately deceive the entire gathering and perhaps the entire United States, so we began to accept the thanks, nodding our heads and taking on pensive looks, saying, “Well, it was about what you’d imagine,” and “Of course you got scared at times,” when asked what the war had been like.

As the afternoon lengthened into evening the beer trucks rolled in, and the celebration continued. The loudspeakers played “God Bless the USA” a dozen times, then two dozen. They played “Born in the USA” and “The Times They Are A-Changin” and everywhere we went men shook our hands and women hugged us. People stood in groups, arms around each other, swaying back and forth to the music, loudly proclaiming how proud they were to be Americans.

A year earlier, in August of 1990, we’d been in Basic Training when Saddam Hussein invaded Kuwait, and every morning we received updates on the battle groups slipping through the Suez Canal, the Airborne divisions activated, the numbers of troops massing in the Middle East. We heard about Hussein’s chemical weapons, his Republican Guard, his SCUD Missiles, and we practiced every day for chemical and biological and nuclear attacks.

By the time the war started, I was in college. I spent most nights in my dorm room, reading newspapers I stole from the library or watching live coverage on CNN. My step-father and step-brother were fighting in the war, and my roommate and I got swimming drunk every night in our room watching the bombs fall on Baghdad, ghostly images of explosions lighting the city, anti-aircraft fire streaking skyward. When my step-father returned he told me of the artillery battles, of the jets thundering past, of night turned the color of hell. The oil wells always burning on the horizon, the black haze of hovering smoke, the air shimmering from the heat. The way the light bends in the shockwaves of bombs. The constant rumbling of engines, the ground shaking beneath his feet, a pit of fear always forming in his gut that they would be gassed.

Now, as night falls, we lie back on the grass as fireworks begin to light up the city and a chant rises from the gathered crowd. We drink until the world spins around us. Sweat tracks like tears down our faces. We are hot and tired from marching, from standing in the sun all day, from the constant noise. All around us people watch the fireworks hitting high above the buildings, their faces lit in the brief white flashes, the reports echoing sharply from the glass and steel.

When the reporter comes we look at one another, smiling a little, drunk with heat and alcohol and what passes for pride. We stand and wipe the sweat from our eyes, then give answers just as stupid as the ones we gave before, saying, “We only did what we had to do,” and “We’re just happy it’s all over with.”

By the time the interview ends and the cameraman snaps our picture a crowd has gathered behind us. In the picture there is no war. No visions of destruction like we had seen on TV or heard about from those who experienced it firsthand. No bombs exploding overhead. No vehicles bullet-riddled along the sides of the road, no empty streets where people huddle in fear. Just fireworks lighting the night sky, a drunk crowd chanting "USA USA," as if the war had been a football game and the outcome only as important, and when I try to remember that moment now, I see faces red from the day’s lingering heat, eyes squinted in the light of what looks like exploding bombs, none of us with any idea what we are saying.

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