Kilby Allen
A Stockroom Exegesis of Psalm Fifty-One

Kilby Allen - A Stockroom Exegesis of Psalm Fifty-One

Fiction
Kilby Allen is a native of the Mississippi Delta, and received her MFA from Brooklyn College, where she was awarded both the Himan Brown Award and the Lainoff Prize in 2010. While living in New York,… Read more »
Peter Gordon
Braniff

Peter Gordon - Braniff

Fiction
Peter Gordon’s short stories have appeared in a wide range of publications including The New Yorker, Ploughshares, The Yale Review, The Southern Review, The Antioch Review, Glimmer Train, Virginia… Read more »
Anne Goodwin
Habeas Corpus

Anne Goodwin - Habeas Corpus

Fiction
Anne Goodwin writes fiction for the freedom to contradict and continually reinvent herself. She has published 50 short stories online and in print. A recent—and somewhat evangelical—convert to… Read more »
Brian Maxwell
Pensacola

Brian Maxwell - Pensacola

Fiction
Brian Maxwell is a Florida-based writer, particularly interested in the short story form. His fiction has appeared in Fugue, Evansville Review, Louisville Review, The Beloit Fiction Journal, Rio… Read more »
Valerie Cumming
Secret Recipe

Valerie Cumming - Secret Recipe

Fiction
Valerie Cumming received her MFA in fiction writing from the University of Michigan, and her stories have appeared or are forthcoming in more than twenty publications. Currently, she works as a… Read more »
Rebecca Orchard
The Farm Before the Hills

Rebecca Orchard - The Farm Before the Hills

Fiction
Rebecca Orchard is a writer and classical musician who majored in French horn at the Peabody Institute of the Johns Hopkins University. Her studies have taken her to Vienna and throughout the US,… Read more »
John Goulet
The Hyena Man

John Goulet - The Hyena Man

Fiction
John Goulet grew up in Boston, Colorado and Iowa. He attended St. John’s University, San Francisco State, and the University of Iowa Writers’ Workshop. After serving in the Peace Corps in… Read more »
Michael Capel
Walk

Michael Capel - Walk

Fiction
Michael Capel received an MFA in fiction writing from Boise State University. His short stories have appeared in Sou’wester, South Dakota Review, Barnstorm and Existere. Born in upstate New York, he… Read more »

Walk

Michael Capel

McRory, that dusty old woodpecker, somehow spots me from down the street going into Slick's, and that's one right there, then I come out for a smoke and that's nothing, but the beer in my hand is most definitely two and when he creeps up and hits the siren one time, laughing with his pointy, red head out the window, I drop the damn Heineken and it shatters on the sidewalk and he says, Littering. So that's three. Then I'm in the back of McRory's roller, and he's saying, You're like that one Bugs Bunny cartoon, where he's the pitcher. And I say, You're like that one Porky Pig cartoon. Actually, I say, you're like all of 'em. McRory laughing again.

We go way back, me and McRory. First time he busts me—'81—I open his forehead like a mango with the ring Lizzy bought me for my eighteenth. Blood spouting down his face. This one’s got some hands, McRory says, calling it in. Then he breaks my arm. Whoops, he says, and sprays a little blood off his lips into my eyes. Us two: we go back deep.

Chi-Chi and the boys are hanging out Slick’s door now, confused, hands up—que pasa? Again?

Come on, I say. I’m a year and a day for this.

Plus six in the halfway house, McRory says. For the beer.

Could just let me out, I say.

But what about our quality time?

Yankees are playing free ball. Nine-nine in the twelfth.

Game just ended, McRory says.

Bullshit.

Sure it did, he says, and then we’re quiet, bumping downtown to booking.

Word around shop is McRory’s got cancer. Late stage. Any day he's going to trade in his blues and his badge for a hospital gown. So I say, Hey pal, word is you got the tumors bad. Brain, bones, everywhere.

Just my kidney and my tit, he says.

Your tit?

Both of ‘em. Don’t fuckin’ laugh about it, neither.

So you’re all right then, I say.

Nah, he says. I’ll be gone, time you spring out.

McRory pulls a hard left. Sends me flat on my bum shoulder, and I have to worm myself upright.

Me and you then, this is it?

It, this is.

So just let me out. I’ll walk.

McRory stops the car. Slams right on the brakes.

Okay, he says. Gets out. Opens my door. Gets back up front.

Cuffs? I say.

Hell no. Too easy.

Chi-Chi’s got cutters.

Good for Chi-Chi, he says.

I step out. The street is dead. McRory flips the radio on and the stripes come through. Still 9-9, bottom of the thirteenth.

So, just like that? I say.

Just like what?

You letting me walk?

Soon as you get in my headlights, I’m running your ass over, he says. I’m gonna floor it.

Bullshit, I say. We got too much history.

We do got that.

And here’s what we come down to: me cuffed, shuffling down the street, McRory with his roller in neutral, door open and his foot pedaling the pavement like Fred Flintstone. Me almost fifty, headed for another stretch. Him almost sixty, headed for the big one. Both of us eyes ahead and ears on the Yanks going into fourteen, knowing this one can’t play on forever.

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