Anita Olivia Koester
Absence Archive

Anita Olivia Koester - Absence Archive

Contest - Prose Poem
Anita Olivia Koester is a poet, writer, educator, and author of four chapbooks. She holds an MFA from the University of Virginia. Her poems have won the Gwendolyn Brooks Poetry Award for Emerging… Read more »
Kathleen Melin
All I Can Tell You

Kathleen Melin - All I Can Tell You

Creative Nonfiction
Kathleen Melin is the author of By Heart, a memoir of progressive education (Clover Valley Press, 2008). Her creative and journalistic work has appeared in national and international publications… Read more »
Kate Gale
Darkness Thrown Down Like a Blanket

Kate Gale - Darkness Thrown Down Like a Blanket

Poetry
Dr. Kate Gale is co-founder and Managing Editor of Red Hen Press, Editor of the Los Angeles Review, and she teaches in the Low Residency MFA program at the University of Nebraska in Poetry, Fiction… Read more »
Jehanne Dubrow
Forced Impossibly

Jehanne Dubrow - Forced Impossibly

Creative Nonfiction
Jehanne Dubrow is the author of seven poetry collections, including most recently American Samizdat (Diode Editions, 2019), and a book of creative nonfiction, throughsmoke: an essay in notes (New… Read more »
Seth Grindstaff
Fossils of Fathers

Seth Grindstaff - Fossils of Fathers

Poetry
Seth Grindstaff teaches high school English in northeast Tennessee and earned an MA in English from ETSU. His poetry has been nominated for the Pushcart Prize by Star 82 Review and published in… Read more »
Chera Hammons
Ghazal after the Electrocardiogram

Chera Hammons - Ghazal after the Electrocardiogram

Poetry
Chera Hammons is a winner of the 2017 PEN Southwest Book Award. Her work appears or is forthcoming in Beloit Poetry Journal, Foundry, The Penn Review, The Sun, The Texas Observer, Tupelo Quarterly,… Read more »
John Haggerty
In the Moments Before the M Train Arrives

John Haggerty - In the Moments Before the M Train Arrives

Fiction
John Haggerty’s work has appeared in dozens of magazines such as Carolina Quarterly, CRAFT Literary, Indiana Review, and Michigan Quarterly Review. He is the founding editor of the Forge Literary… Read more »
Ellie Roscher
Kept Miniature in Size

Ellie Roscher - Kept Miniature in Size

Contest - Flash Creative Nonfiction
Ellie Roscher is the author of 12 Tiny Things (forthcoming), Play Like a Girl and How Coffee Saved My Life and hosts the Unlikely Conversations podcast. She teaches writing at The Loft Literary… Read more »
Dennis Cummings
Kool-Aid Days

Dennis Cummings - Kool-Aid Days

Poetry
Dennis Cummings lives in Poway, CA with his wife. He has sold flowers for commercial growers and shippers for the last 45 years and continues to do so. He recently rediscovered poetry after a hiatus… Read more »
Katy Mullins
On the Maternity Ward

Katy Mullins - On the Maternity Ward

Fiction
Katy Mullins’ work has appeared or is forthcoming in journals such as Brevity, Bayou Magazine, and Hong Kong Review, among others. She serves on the editorial board of Nimrod International Journal… Read more »
Will Cordeiro
Parentheses

Will Cordeiro - Parentheses

Poetry
Will Cordeiro has published work in Agni, Best New Poets, The Cincinnati Review, Copper Nickel, Palette Poetry, Tinderbox Poetry Journal, The Threepenny Review, and elsewhere. Will won the 2019 Able… Read more »
Beverly Mason Parks
Pomegranates

Beverly Mason Parks - Pomegranates

Fiction
Beverly Mason Parks is a Baltimore native who lives and writes in North Carolina. A graduate of University of North Carolina at Greensboro, she works as a nonprofit consultant and grant writer. She… Read more »
Danielle Burnette
Popcorn

Danielle Burnette - Popcorn

Fiction
Danielle Burnette—an engineer by day, a writer by night—lives in northern California. Her short fiction has appeared in Moon City Review, The Nassau Review, The Lindenwood Review, and elsewhere.… Read more »
Merrill Oliver Douglas
Seeks Its Own Level

Merrill Oliver Douglas - Seeks Its Own Level

Poetry
Merrill Oliver Douglas has published poems in Tar River Poetry, Stone Canoe, Valparaiso Poetry Review, South 85 Journal, Cimarron Review and the Comstock Review, among others. Finishing Line Press… Read more »
Cara Lynn Albert
Telephone

Cara Lynn Albert - Telephone

Contest - Flash Fiction
Cara Lynn Albert is a writer and educator originally from Florida, and she is currently embracing the Rocky Mountains while she completes her MFA degree at the University of Colorado Boulder. Her work… Read more »
Marlene Olin
Ten Days in August

Marlene Olin - Ten Days in August

Fiction
Marlene Olin was born in Brooklyn, raised in Miami, and educated at the University of Michigan. Her short stories have been published or are forthcoming in journals such as The Massachusetts Review,… Read more »
Francesca Bell
The Window Before Which We Last Kissed Is on the Market

Francesca Bell - The Window Before Which We Last Kissed Is on the Market

Poetry
Francesca Bell is the author of Bright Stain (Red Hen Press, 2019) and the translator of Kitchens and Trains: Poems by Max Sessner (Red Hen Press, 2023). Her work appears widely in journals such as B… Read more »

In the Moments Before the M Train Arrives

John Haggerty

I look up from my phone and instantly regret it, because there he is—reeling and staggering and teetering at the edge of the platform, about 90 seconds before the M train is due. A moment ago, I was just a guy going home, tired, looking forward to some down time after a long day, and he didn’t exist. But he’s here now, and he’s not going away. If only I had kept my eyes down. I can even imagine the stories I would tell—I didn’t even notice. You know how I get. Yeah. Right onto the track, and then splat. We are at that great new tapas place, and my friends are concerned for me. They can see how deeply affected I am, but I make a brave show of it. A shrug, a trembling smile. A burden I have to bear alone.

But it’s too late for all of that now. What’s that weaselly political phrase? Plausible deniability. I’ve lost it. I’m part of the drama now.

I start to notice things about him. His clothes are clean. He is wearing some kind of old varsity sweater and a university baseball cap. I find myself wishing that he was a bum. No. Not a bum. Homeless. Disadvantaged. That would make the story even better. The pathos of it. A history of untreated mental illness, we can assume. My friends shake their heads in sad outrage. What sort of society do we live in, that we allow these things to happen and look away?

Because that is the kind of person I am. The kind of people I surround myself with. We are caring. We are kind. We are compassionate.

Varsity sweater. University cap. But not the local college. The rival college. He is in town for some athletic event. A booster. A fan. Fan is short for fanatic. He is a loudmouth. I can see him in a sports bar somewhere, shooting his fucking mouth off. He is an asshole.

But of course he doesn’t deserve to die. He sways at the very edge. My God, he is so drunk. I notice that he is carrying a plastic bag. Why didn’t I see that before? It says “Patient Personal Effects.” So he just got out of a hospital? Is he sick? What kind of person leaves a hospital and gets stinkingly, suicidally drunk? Jesus.

Or maybe they aren’t his. Maybe they belong to a loved one. Somebody he met at a college football game, the love of his life. He held her frail hand as she said goodbye, weeping bitterly with the knowledge that he would never take her to Paris, as he had promised he would do on that first date. God, the poor bastard. That is so sad.

I imagine stepping over to him, taking his arm, guiding him back from the brink. But he is so fucking drunk. He might throw up at any moment. He might throw up on me. It’s a vivid image: he looks uncomprehendingly down at my helping hand, then up at my face. He clutches me in a spasmodic embrace, and I feel the hot, sour river of vomit running down my neck and back.

And even without the vomit, just touching him feels . . . I don’t know. Dangerous. He looks clean, but you can never tell, especially these days. Coming from his wife’s deathbed the way he is. Hospitals—they’re petri dishes. The places bacteria go to gain their superpowers. Antibiotic resistance. It’s not a joke. It’s really not. Scabies. That’s a thing, right? Or lice. My niece had lice. It took Jennifer nine months to get rid of the motherfuckers.

Plausible deniability. I still have it, I realize. Nobody can prove that I saw him. I can just look back down at my phone—there really is some shit blowing up at the office that somebody has to get on top of, and as usual, that someone is me. But I couldn’t live with myself if, you know. I’m not that kind of person.

That acrid subway breeze starts to blow, the one that signals a train approaching through the tunnel. The man staggers, oblivious. His toes are right at the edge. I look up and down the platform. A lot of people are closer to him than I am. Come on. Just reach out and pull him back.

And then I see her. The only other person who isn’t distracted in some way. I realize that she’s been watching him, too. She is pretty, well put together in the way of ambitious city girls. A tan cashmere sweater. Black skirt. Pumps that hit just the right note, halfway between sensible and sexy. The clothes, they don’t stand out. They’re bland, even. But I can tell they were expensive, maybe Donna Karan or even Chanel, and I instantly like that about her. She’s going places but isn’t desperate for people to know.

Our eyes meet. We are in the moment together. I see the two of us later, in a coffee shop. “God,” she says, “I was so scared.” I cup her hands in mine to stop them from shaking. Our friends view us with that mixture of envy and contempt that is reserved for the truly in love. We stay in the city, because we are not sellouts. We find a neighborhood that hasn’t been gentrified, but still has enough old-world values not to be a complete shithole. Our children have a multicolored array of friends like a tiny little United Nations, and they grow up to be kind and wise beyond their years. Everybody who knows us remarks at our closeness, the strange and beautiful bond that we share. They ask us how we met, and we just laugh, and share a glance, and try not to think about that day, the platform, the roar of the train, everything coming at us so fast.

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