Anita Olivia Koester
Absence Archive

Anita Olivia Koester - Absence Archive

Contest - Prose Poem
Anita Olivia Koester is a poet, writer, educator, and author of four chapbooks. She holds an MFA from the University of Virginia. Her poems have won the Gwendolyn Brooks Poetry Award for Emerging… Read more »
Kathleen Melin
All I Can Tell You

Kathleen Melin - All I Can Tell You

Creative Nonfiction
Kathleen Melin is the author of By Heart, a memoir of progressive education (Clover Valley Press, 2008). Her creative and journalistic work has appeared in national and international publications… Read more »
Kate Gale
Darkness Thrown Down Like a Blanket

Kate Gale - Darkness Thrown Down Like a Blanket

Poetry
Dr. Kate Gale is co-founder and Managing Editor of Red Hen Press, Editor of the Los Angeles Review, and she teaches in the Low Residency MFA program at the University of Nebraska in Poetry, Fiction… Read more »
Jehanne Dubrow
Forced Impossibly

Jehanne Dubrow - Forced Impossibly

Creative Nonfiction
Jehanne Dubrow is the author of seven poetry collections, including most recently American Samizdat (Diode Editions, 2019), and a book of creative nonfiction, throughsmoke: an essay in notes (New… Read more »
Seth Grindstaff
Fossils of Fathers

Seth Grindstaff - Fossils of Fathers

Poetry
Seth Grindstaff teaches high school English in northeast Tennessee and earned an MA in English from ETSU. His poetry has been nominated for the Pushcart Prize by Star 82 Review and published in… Read more »
Chera Hammons
Ghazal after the Electrocardiogram

Chera Hammons - Ghazal after the Electrocardiogram

Poetry
Chera Hammons is a winner of the 2017 PEN Southwest Book Award. Her work appears or is forthcoming in Beloit Poetry Journal, Foundry, The Penn Review, The Sun, The Texas Observer, Tupelo Quarterly,… Read more »
John Haggerty
In the Moments Before the M Train Arrives

John Haggerty - In the Moments Before the M Train Arrives

Fiction
John Haggerty’s work has appeared in dozens of magazines such as Carolina Quarterly, CRAFT Literary, Indiana Review, and Michigan Quarterly Review. He is the founding editor of the Forge Literary… Read more »
Ellie Roscher
Kept Miniature in Size

Ellie Roscher - Kept Miniature in Size

Contest - Flash Creative Nonfiction
Ellie Roscher is the author of 12 Tiny Things (forthcoming), Play Like a Girl and How Coffee Saved My Life and hosts the Unlikely Conversations podcast. She teaches writing at The Loft Literary… Read more »
Dennis Cummings
Kool-Aid Days

Dennis Cummings - Kool-Aid Days

Poetry
Dennis Cummings lives in Poway, CA with his wife. He has sold flowers for commercial growers and shippers for the last 45 years and continues to do so. He recently rediscovered poetry after a hiatus… Read more »
Katy Mullins
On the Maternity Ward

Katy Mullins - On the Maternity Ward

Fiction
Katy Mullins’ work has appeared or is forthcoming in journals such as Brevity, Bayou Magazine, and Hong Kong Review, among others. She serves on the editorial board of Nimrod International Journal… Read more »
Will Cordeiro
Parentheses

Will Cordeiro - Parentheses

Poetry
Will Cordeiro has published work in Agni, Best New Poets, The Cincinnati Review, Copper Nickel, Palette Poetry, Tinderbox Poetry Journal, The Threepenny Review, and elsewhere. Will won the 2019 Able… Read more »
Beverly Mason Parks
Pomegranates

Beverly Mason Parks - Pomegranates

Fiction
Beverly Mason Parks is a Baltimore native who lives and writes in North Carolina. A graduate of University of North Carolina at Greensboro, she works as a nonprofit consultant and grant writer. She… Read more »
Danielle Burnette
Popcorn

Danielle Burnette - Popcorn

Fiction
Danielle Burnette—an engineer by day, a writer by night—lives in northern California. Her short fiction has appeared in Moon City Review, The Nassau Review, The Lindenwood Review, and elsewhere.… Read more »
Merrill Oliver Douglas
Seeks Its Own Level

Merrill Oliver Douglas - Seeks Its Own Level

Poetry
Merrill Oliver Douglas has published poems in Tar River Poetry, Stone Canoe, Valparaiso Poetry Review, South 85 Journal, Cimarron Review and the Comstock Review, among others. Finishing Line Press… Read more »
Cara Lynn Albert
Telephone

Cara Lynn Albert - Telephone

Contest - Flash Fiction
Cara Lynn Albert is a writer and educator originally from Florida, and she is currently embracing the Rocky Mountains while she completes her MFA degree at the University of Colorado Boulder. Her work… Read more »
Marlene Olin
Ten Days in August

Marlene Olin - Ten Days in August

Fiction
Marlene Olin was born in Brooklyn, raised in Miami, and educated at the University of Michigan. Her short stories have been published or are forthcoming in journals such as The Massachusetts Review,… Read more »
Francesca Bell
The Window Before Which We Last Kissed Is on the Market

Francesca Bell - The Window Before Which We Last Kissed Is on the Market

Poetry
Francesca Bell is the author of Bright Stain (Red Hen Press, 2019) and the translator of Kitchens and Trains: Poems by Max Sessner (Red Hen Press, 2023). Her work appears widely in journals such as B… Read more »

Telephone

Cara Lynn Albert

Every day, each of the five girls had to participate, including Nan. They sat in a circle during lunch and took turns, whispering a secret into the ear of the girl on her right. Each secret would be passed around from ear to ear until it reached the final girl, who would announce the now mangled words out loud, softly, only for those in the circle to hear. And the most important rule: no one could repeat what was said when the game was finished.

Nan had a stutter. She acted as the filter. The other girls wanted to confess their secrets to Nan first, because when she repeated them, she fractured the words. Disfigured the syllables beyond comprehension. Shelley Campbell admitted to sampling the sixty-year-old scotch her parents locked in the liquor cabinet. Annie Williams stole fifteen dollars out of her father’s wallet.

The brown stuff in Mom’s cupboard tastes like poisoned honey.

Sundown’s tough on Malcolm’s bird just like boysenberries.

Dad had twenty in his pants. Now there’s only five.

Mad hats win kingpin transplants, though they’re skinned alive.

They would breathe these confessions into Nan. Their clammy pants lingered on her lips. Settled in her nose.

Her parents trained Nan to embrace her stutter. Fragmenting sentences, breaking phrases down into sounds and syllables bred a higher command over language. A word could be rendered worthless if beaten enough.

This strategy’s value blossomed when Nan witnessed her mother kissing a younger woman.

The living room was full of grown-ups draped like forgotten laundry across the couch and armchairs. Two hours earlier, they were silly off the cabernet and champagne they had brought for her father’s birthday. When an hour passed without hearing a voice, Nan pulled on her socks and skated out of her room, hoping to steal a taste of red wine dregs at the bottom of a bottle. She watched them through the window to the outside porch. Her father slept on the coffee table fifteen feet away. The woman folded in her mother’s arms was the daughter of her best friend. A sophomore in college. Nan studied her silken legs. The crescent moon curve of her back.

The next day at school, Vanessa Perez sat to Nan’s right.

“M-m-om likes to k-i-i-ss girls.”

The words swelled in Nan’s throat. Each girl cupped her hand around another’s ear, maiming the sentence as they repeated it. Annie concluded the circle. She shut her eyes and giggled as Shelley pulled away.

“Bombs strike at stiff curls.”

Lunch wasn’t enough, especially after the sophomore confessed to Nan’s father. Nan rallied the other girls during recess. In the courtyard before school. Soccer practice. Begging them to play the game again. Coach scolded Vanessa when she pushed Nan for muttering against her neck during drills.

Nan saw her parents’ separation as evidence of a mistake. That “love” was splintered and flayed until the meaning turned hollow. They branded their arguments onto Nan, and she garbled their words while the blisters scabbed over.

I married a f-f-ucking whore.

Canary luck means more.

Y-y-ou can’t take N-a-a-n away.

Who granted lifespans of blue jays?

The Sunday before her mother moved out, Nan heard strained mewling from the hallway bathroom. Once the room was black and vacant, she crept inside and kneaded the frigid tiles with her toes, feeling the cracks in the grout where some tears landed and mixed with the grit to make clay.

Monday, the girls asked Grace Tucker to sit at Nan’s right. Nan leaned close to Grace, watching the stray eyelash hanging off her cheek. Faded freckles spilling to her lips. Nan covered her own.

“Mom’s tears feel like wet sand.”

She quit before the words could leave Grace.

Her mother quit, too.

Now, Nan sleeps next to a man she doesn’t love. Years of discipline have dissolved her stutter, though his deafness means he can’t tell the difference. At night, when she’s awake and he’s in the space between consciousness and sleep, she continues to purr secrets into his ear. Nan tells him she will never love him, lips brushing against the stiff stubble on his jaw, and he replies with the soft breaths of someone that can’t listen. She repeats the words until they grind to sand between her cheeks.

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