Sophie Klahr
(Non)fictions

Sophie Klahr - (Non)fictions

Fiction
Sophie Klahr is the author of the poetry collections Two Open Doors in a Field (University of Nebraska Press), Meet Me Here at Dawn (YesYes Books), and the collaborative prose work There Is Only One… Read more »
Elizabeth J. Wenger
A Goat

Elizabeth J. Wenger - A Goat

Contest - Flash CNF
Elizabeth J. Wenger is a queer, Jewish writer from Tulsa, Oklahoma. Her works have been nominated for the Pushcart Prize and Best of the Net Anthology. Currently an MFA student at Iowa State… Read more »
Mike Cooper
Call Me When You Get There

Mike Cooper - Call Me When You Get There

Fiction
Mike Cooper holds an MFA from Oregon State University Cascades in Bend, Oregon, where he lives with his family and Maggie the corgi. His short stories have been finalists in Glimmer Train, The Lascaux… Read more »
Elizabeth DeKok
Embers

Elizabeth DeKok - Embers

Fiction
Elizabeth DeKok received her MSc in Creative Writing from the University of Edinburgh. Born and raised in Harrisburg, Pennsylvania, she currently lives in the North East of England. Her work is… Read more »
Franz Jørgen Neumann
Fidelity

Franz Jørgen Neumann - Fidelity

Fiction
Franz Jørgen Neumann’s stories have received multiple Pushcart Prize nominations and have appeared in The Southern Review, Colorado Review, and Water~Stone Review. His past published work can be… Read more »
Jessica Hammack
Free Country

Jessica Hammack - Free Country

Poetry
Jessica Hammack is from Morgantown, West Virginia. Her poems have appeared in Poet Lore, Beloit Poetry Journal, Cimarron Review, Seneca Review, Redivider, The Pinch, and Still: The Journal, and her… Read more »
Kirsten Imani Kasai
Free to Good Home

Kirsten Imani Kasai - Free to Good Home

Fiction
Kirsten Imani Kasai is the author of The House of Erzulie (Shade Mountain Press, 2018), Ice Song (Del Rey, 2009), and Tattoo (Del Rey, 2011). Her fiction, poetry, and essays have appeared in… Read more »
Eileen Frankel Tomarchio
Last Meanings

Eileen Frankel Tomarchio - Last Meanings

Contest - Flash Fiction
Eileen Frankel Tomarchio works as a librarian in a small New Jersey town. Her writing appears in Passages North, Chestnut Review, The Forge, Okay Donkey, Pithead Chapel, Atticus Review, Flash Frog,… Read more »
Derek Dirckx
Maintenance

Derek Dirckx - Maintenance

Fiction
Derek Dirckx is a writer born and raised in Minnesota. Previously, his fiction has appeared in the Willesden Herald: New Short Stories 11. He currently resides in Louisiana, where he studies fiction… Read more »
Hayden Saunier
Monotype

Hayden Saunier - Monotype

Poetry
Hayden Saunier’s work has been widely published in journals and awarded a Pushcart Prize, Rattle Poetry Prize, Pablo Neruda Prize, and featured on Poetry Daily, Verse Daily, and The Writers Almanac.… Read more »
Derek Maiolo
Protocol for Disaster

Derek Maiolo - Protocol for Disaster

Creative Nonfiction
Derek Maiolo received his MFA from Chatham University, where he was the 2021-2023 Margaret L. Whitford Fellow. A journalist and conservationist, his work appears in High Country News, The Denver Post,… Read more »
Bob Ostertag
The Anesthesiologist

Bob Ostertag - The Anesthesiologist

Creative Nonfiction
Bob Ostertag has published more than twenty albums of music, seven books, two podcasts, and a feature film. His writings on contemporary politics have been published in many languages, beginning with… Read more »
Christopher Blackman
Three-Day Weekend

Christopher Blackman - Three-Day Weekend

Poetry
Christopher Blackman is a poet from Columbus, Ohio. His poems have appeared or are forthcoming in The Kenyon Review, DIAGRAM, Cleaver Magazine, Southeast Review, and Sixth Finch, among other… Read more »
Sasha Wade
Where My Mother Goes

Sasha Wade - Where My Mother Goes

Contest - Prose Poem
Sasha Wade was born and raised in New York City. An attendee of The Bread Loaf Writers Conference, Sasha also holds an MFA from Bennington’s Writing Seminars. Her poetry has been published in Rust +… Read more »
Terrance Owens
외국인

Terrance Owens - 외국인

Poetry
Terrance Owens has had poems appear in PANK, Quarterly West, The Adirondack Review, and Lake Effect, among others. He lives in Seoul, South Korea. Read more »

Last Meanings

Eileen Frankel Tomarchio

Sunday at the flea, early-bird hour, the pickers at my table with their penlights and magnifiers. So much shit, mostly smalls. Sludge-fogged medicine bottles, tin jello molds, nightclub matchbooks, china trinket dishes shaped like upturned lady hands. Everything marked lower than the rock bottom my dead wife paid for it. I don’t care that I’m taking a hit—I want it gone. My daughter Alice shares her Taylor Ham and egg sandwich with the dealer one over, a grandma in a Mondale-Ferraro ‘84 cap setting up patchy Steiff bears and brass flower frogs that look like torture devices. Eve, if she were here, would definitely ask the lady how much she’s asking for that cap, for kicks. Or not just kicks. Eve always had a thing for one-offs, strays, mismatches. I figured it was because she found them more funny than sad, but now I think it was just the opposite.

I never really understood Eve’s Sunday hunts, honestly. I wouldn’t have called her a hoarder. She wasn’t into nostalgia, all wishy for childhood again or one she never had. She didn’t obsess over misty past-times like they were a better place than now. It was random, what she’d pick up, stroke or tap or sniff, then put down with a gentleness that made my throat feel thick to watch. For hours, pulling Alice along in a Radio Flyer, letting her pick through skeleton keys and doll parts to prevent meltdowns. Me, I always wanted to hurry through. She’d say You miss too much when you skim. I tried, really tried to get into hood ornaments and box cameras and Hot Wheels, mainly so she wouldn’t feel bad about dragging me along, especially after she got sick, but it all just gave me headaches.

A picker inspects a bent hotel-silver ladle, spits on the maker’s mark, rubs it with a tarnish cloth. “For that, you bought it,” I tell him. “Fifteen.” He talks me down to ten, flings me two fives, his cheekful of Skoal dropping onto a stack of starched doilies. “Whoa!” I yell, raising my arms. Alice runs over, grossed out, laughing as the guy flicks the cockroach-y wad to the ground and skulks away. I suppose I should be telling Alice not to laugh, it’s rude. Like Eve would have. Or wouldn’t have. I don’t know, honestly. I didn’t take notes when Eve was doing the disciplining, so I’m pretty lost.

I rub a Clorox wipe on the Skoal smudge, the ladle. Doilies and silverplate were one of Eve’s phases. For when we’re pretentious enough for a soup course, she said about the ladle. The doilies, she said, made her think of homes where everything’s stiff and unwrinkled and set apart. She wondered if we could have used a little bit of that ourselves. I didn’t get what she meant, but I didn’t think it was for me to get, anyway, because a lot of what she said was for herself alone, even if it was said in my direction.

Sometimes she made Sundays into a contest. Who was the better spotter? The better haggler? She looked so happy watching the dealers wrap up her purchases in the limp pages of local newspapers, slip them into handled bags from bankrupt department stores. At home, she displayed it all without much thought. In the breezeway, bedrooms, garage. On the toilet tank, TV cabinet, windowsills. I had a hunch she didn’t care quite as much about things once they were in the house. As if the act of finding was a smidge better than the reality of having.

We had only one flea market fight. It was big. I called her materialistic. Said that accumulating was just a hamster-wheel, a lot of nowhere. She said I was shallow, that I didn’t understand the idea of a flea market as a place of last meaning. How things can be at their most beautiful when they’re the most useless. How we give a thing meaning again just by finding it, giving it time, blah blah. And anyway, we don’t choose what we hunt for—it chooses us. The more woo-woo she got, the less I listened, which pissed her off so bad she took Alice and the Pack-N-Play and stayed with her sister a few days.

Maybe I should have just asked her what it was she was really looking for.

A couple of decorator-types scan my table, looking over some mismatched Vaseline-glass tumblers, some saucer-less teacups. “No complete sets?” one asks. I look over at Alice. She’s dancing around an overflowing garbage drum, making cyclones with the yellowjackets. Having her felt so easy. No hunt in it, no haggle. Just a gift, and we weren’t used to them. A gift that made us three. Complete.

“Everything’s as is,” I say. “Sorry.”

By 3 o’clock, I tape a FREE sheet to the table and snap wide some 45-gallon trash bags. I tell Alice she can keep one thing. I tell her to think on it hard and carefully but not take forever. She grabs a lady-hand dish so fast I know she must’ve planned on keeping it no matter. I remember it from Eve’s bedside table. For her floss picks, wedding ring, pink methotrexate pills. Alice sticks the dish in her jacket sleeve and uses it to wave goodbye to everybody she sees, like a royal.

On the ride home, Alice sets the dish on the dashboard and naps. I go slow, feeling how much lighter the truck drives, its emptiness. Eve’s sister didn’t get why I wouldn’t just rent a dumpster and chuck it all. Why I’d waste even one more day at the flea. I keep glancing at the turned-up hand, so delicate, wondering if its last meaning is sitting there in the palm, light as spirit, ready to release itself. Or if it’s coming home with us, to find again every time we forget it’s there.

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