Sophie Klahr
(Non)fictions

Sophie Klahr - (Non)fictions

Fiction
Sophie Klahr is the author of the poetry collections Two Open Doors in a Field (University of Nebraska Press), Meet Me Here at Dawn (YesYes Books), and the collaborative prose work There Is Only One… Read more »
Elizabeth J. Wenger
A Goat

Elizabeth J. Wenger - A Goat

Contest - Flash CNF
Elizabeth J. Wenger is a queer, Jewish writer from Tulsa, Oklahoma. Her works have been nominated for the Pushcart Prize and Best of the Net Anthology. Currently an MFA student at Iowa State… Read more »
Mike Cooper
Call Me When You Get There

Mike Cooper - Call Me When You Get There

Fiction
Mike Cooper holds an MFA from Oregon State University Cascades in Bend, Oregon, where he lives with his family and Maggie the corgi. His short stories have been finalists in Glimmer Train, The Lascaux… Read more »
Elizabeth DeKok
Embers

Elizabeth DeKok - Embers

Fiction
Elizabeth DeKok received her MSc in Creative Writing from the University of Edinburgh. Born and raised in Harrisburg, Pennsylvania, she currently lives in the North East of England. Her work is… Read more »
Franz Jørgen Neumann
Fidelity

Franz Jørgen Neumann - Fidelity

Fiction
Franz Jørgen Neumann’s stories have received multiple Pushcart Prize nominations and have appeared in The Southern Review, Colorado Review, and Water~Stone Review. His past published work can be… Read more »
Jessica Hammack
Free Country

Jessica Hammack - Free Country

Poetry
Jessica Hammack is from Morgantown, West Virginia. Her poems have appeared in Poet Lore, Beloit Poetry Journal, Cimarron Review, Seneca Review, Redivider, The Pinch, and Still: The Journal, and her… Read more »
Kirsten Imani Kasai
Free to Good Home

Kirsten Imani Kasai - Free to Good Home

Fiction
Kirsten Imani Kasai is the author of The House of Erzulie (Shade Mountain Press, 2018), Ice Song (Del Rey, 2009), and Tattoo (Del Rey, 2011). Her fiction, poetry, and essays have appeared in… Read more »
Eileen Frankel Tomarchio
Last Meanings

Eileen Frankel Tomarchio - Last Meanings

Contest - Flash Fiction
Eileen Frankel Tomarchio works as a librarian in a small New Jersey town. Her writing appears in Passages North, Chestnut Review, The Forge, Okay Donkey, Pithead Chapel, Atticus Review, Flash Frog,… Read more »
Derek Dirckx
Maintenance

Derek Dirckx - Maintenance

Fiction
Derek Dirckx is a writer born and raised in Minnesota. Previously, his fiction has appeared in the Willesden Herald: New Short Stories 11. He currently resides in Louisiana, where he studies fiction… Read more »
Hayden Saunier
Monotype

Hayden Saunier - Monotype

Poetry
Hayden Saunier’s work has been widely published in journals and awarded a Pushcart Prize, Rattle Poetry Prize, Pablo Neruda Prize, and featured on Poetry Daily, Verse Daily, and The Writers Almanac.… Read more »
Derek Maiolo
Protocol for Disaster

Derek Maiolo - Protocol for Disaster

Creative Nonfiction
Derek Maiolo received his MFA from Chatham University, where he was the 2021-2023 Margaret L. Whitford Fellow. A journalist and conservationist, his work appears in High Country News, The Denver Post,… Read more »
Bob Ostertag
The Anesthesiologist

Bob Ostertag - The Anesthesiologist

Creative Nonfiction
Bob Ostertag has published more than twenty albums of music, seven books, two podcasts, and a feature film. His writings on contemporary politics have been published in many languages, beginning with… Read more »
Christopher Blackman
Three-Day Weekend

Christopher Blackman - Three-Day Weekend

Poetry
Christopher Blackman is a poet from Columbus, Ohio. His poems have appeared or are forthcoming in The Kenyon Review, DIAGRAM, Cleaver Magazine, Southeast Review, and Sixth Finch, among other… Read more »
Sasha Wade
Where My Mother Goes

Sasha Wade - Where My Mother Goes

Contest - Prose Poem
Sasha Wade was born and raised in New York City. An attendee of The Bread Loaf Writers Conference, Sasha also holds an MFA from Bennington’s Writing Seminars. Her poetry has been published in Rust +… Read more »
Terrance Owens
외국인

Terrance Owens - 외국인

Poetry
Terrance Owens has had poems appear in PANK, Quarterly West, The Adirondack Review, and Lake Effect, among others. He lives in Seoul, South Korea. Read more »

The Anesthesiologist

Bob Ostertag

It’s hard to know just what kind of condition you are in lying on a gurney in the back of an ambulance, but I noted that we had set out on our journey to the ER with only the light flashing, and then the siren went on. I figured things weren’t looking so good when the ambulance driver suddenly hit the gas and we accelerated to a different speed entirely.

I had been at home convalescing from surgery when an artery in my throat had burst. By the time the ambulance arrived I had blood coming out of both ends, and my bedroom and bathroom looked like a horror movie set.

As the gurney was lifted from the ambulance someone handed me a bowl to vomit blood into and an orderly started running me through the ER door and down a hallway. As we careened around a corner, the bowl fell from my hands, sending HIV+ blood everywhere. “That was awesome,” the orderly whispered, but he didn’t slow down.

Machines were going off like cyborg blackbirds signaling the approach of a predator. People shouting “No Pulse! No Pulse!” People rushing to and fro with one device or another.

I discovered an amazing thing that happens when a body swallows that much blood: the blood goes down as liquid but congeals in the stomach, so the body must produce an otherworldly convulsion to expel it. The back arches, the legs kick, the vocal cords emit a sound with no human reference, and a blood jellyfish comes flying out of the mouth and sails across the room. In a previous century, someone would have put a stake through my heart.

I learned this because I was watching it all from the ceiling. I observed my body doing these amazing things, but I did not feel them. Man, that must have hurt, but I felt no pain. I observed this team of highly trained professionals, the special forces of medicine, executing a high precision series of maneuvers, correctly and in the least possible amount of time, but I wasn’t on that team. They were going to do what needed to be done in time for me to continue living or they weren’t. I had no say in that matter.

I didn’t see a white light at the end of a tunnel, yet it was very peaceful up there on the ceiling. If this was going to be my last experience of life, I wanted to notice everything. The energy crackling through the room as everyone applied brain cell and muscle to the task at hand. The tension in the curt commands and reports shouted back and forth, complete economy of syllables. My body doing all these things I had no idea it was capable of, and all without me.

I didn’t see a movie of my life play fast forward in my head, but I had time to contemplate my life. I thought lovingly of my child who was becoming a young adult and was ready to find her way in the world without me. It occurred to me that my life had been a good one and had been enough.

From their actions and words, I learned that I would have to undergo surgery to repair the wound, and they could not put me under general anesthesia unless they could get some blood into me, which was not so easy precisely because I had run out of it. I had lost so much blood that my veins had collapsed and they couldn’t get a needle into one to pump blood back in. So that was the race: were they going to get enough blood into a vein to get me into surgery before I expired?

Eventually they must have found a vein because I was suddenly whisked from the ER into an operating room, which brought me down off the ceiling and back home in my body, with the strange taste of liquid blood in my mouth and dried blood caked on my face. A new team of differently trained professionals were rushing into place a different collection of high-tech instruments. I was aware that someone had sat down next to me and was intently focused on the display of the nearby medical device: the anesthesiologist. For the first time since I entered the ambulance, I was aware of someone not as a medical action figure but as a human being. A man. With sandy hair, a kind face, and a calm that was immensely soothing to me at that moment. I smiled. He smiled back.

“Are you gay?” I was startled to discover I had a voice, and a sense of humor.

He gave a start, and his smile widened.

“Why, yes, I am.”

“Can I have your phone number?”

We both burst out laughing. Everyone in the operating room looked at us in surprise. What could these two possibly be laughing about.

“I’ll tell you what,” he answered, holding that mask just above my face. “If you live through this, yes, you can have my phone number.”

And everything went black.

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