Kim Roberts
Benjamin Banneker at Jones Point

Kim Roberts - Benjamin Banneker at Jones Point

Poetry
Kim Roberts is the editor of the anthology By Broad Potomac’s Shore: Great Poems from the Early Days of our Nation’s Capital (University of Virginia Press, 2020), and the author of A Literary… Read more »
Jill McDonough
Drunk Driving

Jill McDonough - Drunk Driving

Poetry
Jill McDonough’s books of poems include Here All Night (Alice James, 2019), Reaper (Alice James, 2017), Where You Live (Salt, 2012), and Habeas Corpus (Salt, 2008). The recipient of three Pushcart… Read more »
Trapper Markelz
First Snow

Trapper Markelz - First Snow

Poetry
Trapper Markelz is a poet, musician, and cyclist, who writes from Boston, MA. You can learn more at https://trappermarkelz.com. Read more »
LeRoy Sorenson
Hometown

LeRoy Sorenson - Hometown

Poetry
Main Street Rag published LeRoy Sorenson’s poetry collection, Forty Miles North of Nowhere. His chapbook Railman’s Son will be published in 2021. He won The Tishman Review 2019 Edna St. Vincent… Read more »
Mary Ardery
Kawana Campsite

Mary Ardery - Kawana Campsite

Poetry
Mary Ardery is originally from Bloomington, IN. Her work appears or is forthcoming in Missouri Review’s “Poem of the Week,” Fairy Tale Review, Cincinnati Review’s “miCRo” series, Prairie… Read more »
Bryce Emley
St. Felicity Watches St. Perpetua’s Executioner

Bryce Emley - St. Felicity Watches St. Perpetua’s Executioner

Poetry
Bryce Emley is the author of the prose chapbooks A Brief Family History of Drowning (winner of the 2018 Sonder Press Chapbook Prize) and Smoke and Glass (Folded Word, 2018). A Narrative 30 Below 30… Read more »

St. Felicity Watches St. Perpetua’s Executioner

Bryce Emley

after The Martyrdom of Perpetua (watercolor, unattributed)
                        She folds herself like a prayer             and he hesitates,                                 as if counting the knuckles of her vertebrae were the task at hand,                         as if he might bow to touch her cheek,             kiss her brow, whisper into her hair.                               His weapon readied at his hip, quivering in his hand—                                       he could almost be alone with her,             and I could be a stranger passing, paused                                                 to see through a window a dimly lit room where a wife braces before the coarseness of her man.                                                             Struck, she buckles then rises,             presses the tip where her neck sings open.                                                 What, I wonder, does the blade belong to:             the hand or the wound?                        He looks as if he has no answer for this,             but is asking.                              He looks as if he wants to belong to a god naïve enough to forgive.
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