Karis Lee
Alone at Passing Period

Karis Lee - Alone at Passing Period

Poetry
Karis Lee is a middle-school teacher. Her work can be found in MudRoom Magazine and is forthcoming in Rogue Agent. She lives and writes in Washington, DC. Read more »
Christopher Notarnicola
Available in Standard Sizes

Christopher Notarnicola - Available in Standard Sizes

Contest - 2nd Place
Christopher Notarnicola is a US Marine Corps veteran and an MFA graduate of Florida Atlantic University. His work has been published with American Short Fiction, Bellevue Literary Review, Best… Read more »
Jonathan Odell
Brother Buddy’s Gift

Jonathan Odell - Brother Buddy’s Gift

Creative Nonfiction
Jonathan Odell is the author of three novels. The View from Delphi, (Macadam Cage, 2004) deals with the struggle for equality in pre-civil rights Mississippi, his home state. In 2012, Random House… Read more »
Jennifer Saunders
Deep Freeze

Jennifer Saunders - Deep Freeze

Poetry
Jennifer Saunders is the author of Self-Portrait with Housewife (Tebot Bach, 2019) and a Pushcart, Best of the Net, and Orison Anthology nominee. Her work has appeared in The Georgia Review, Grist,… Read more »
Rachael Lyon
For the Hole in My Heart

Rachael Lyon - For the Hole in My Heart

Creative Nonfiction
Rachael Lyon is a poet, essayist, and translator. Her chapbook, The Normal Heart and How It Works (2011), chronicles her experience with a congenital heart defect. She received a Fulbright grant to… Read more »
Heather Bartos
Goldfish

Heather Bartos - Goldfish

Contest - 1st Place
Heather Bartos writes both fiction and nonfiction. Her essays have appeared in Fatal Flaw, Stoneboat Literary Journal, HerStry, and elsewhere. Her flash fiction and short stories have appeared in… Read more »
Garrett Candrea
Just Fly

Garrett Candrea - Just Fly

Fiction
Garrett Candrea lives and writes in New York City. His work has appeared in Carve and various issues of Sunspot Literary Journal. Find him at www.garrettcandrea.com. Read more »
Joshua Jones Lofflin
Manny’s Gone Missing (Again)

Joshua Jones Lofflin - Manny’s Gone Missing (Again)

Fiction
Joshua Jones Lofflin’s writing has appeared in The Best Microfictions 2020, The Best Small Fictions 2019, The Cincinnati Review, CRAFT, Fractured Lit, SmokeLong Quarterly, Split Lip Magazine, and… Read more »
Abby E. Murray
Plans for the Afterlife

Abby E. Murray - Plans for the Afterlife

Poetry
Abby E. Murray is the editor of Collateral, a literary journal concerned with the impact of violent conflict and military service beyond the combat zone. Her first book, Hail and Farewell, won the… Read more »
Garret Keizer
Raymond's Bar

Garret Keizer - Raymond's Bar

Fiction
Garret Keizer is the author, most recently, of The World Pushes Back (poetry) and Getting Schooled (nonfiction) and is a contributing editor of Harper’s Magazine and Virginia Quarterly Review. His… Read more »
Hilal Isler
Scorpion

Hilal Isler - Scorpion

Fiction
Hilal Isler lives in the Twin Cities. Her work has appeared in The Paris Review, The Brooklyn Review, and Los Angeles Review of Books online. She edits the Hennepin Review. Read more »
Elizabeth J. Coleman
Stratagem

Elizabeth J. Coleman - Stratagem

Poetry
Elizabeth J. Coleman is editor of Here: Poems for the Planet (Copper Canyon Press, 2019), author of two poetry collections from Spuyten Duyvil Press (Proof, finalist for the University of Wisconsin… Read more »
Jill Witty
The Unraveling

Jill Witty - The Unraveling

Fiction
Jill Witty writes novels, short stories and nonfiction from Richmond, Virginia. She received her MBA from UCLA and her BA in English from Yale. Her writing appears in Catapult, Pithead Chapel, New… Read more »
Andy Young
We Bury My Mother a Second Time

Andy Young - We Bury My Mother a Second Time

Contest - 3rd Place
Andy Young's second full-length collection, Museum of the Soon Departed, was chosen for the inaugural Patricia Spears Jones Award and will be published by Camperdown NYC. She is also the author of All… Read more »
Alison Zheng
What I Remember

Alison Zheng - What I Remember

Poetry
Alison Zheng's work has been published in Jacket2, Hobart After Dark, Honey Literary, Pidgeonholes, The Offing, and more. She's pursuing her MFA in Poetry at University of San Francisco as a Lawrence… Read more »

Scorpion

Hilal Isler

The tiles were white in our Bodrum rental home, making the scorpions easy to spot. King Scorpions, Cobra Scorpions, scorpions flattened against porcelain, tails curled, ready to sink their poison into unsuspecting flesh.

To the north of us, tanks rolled from one part of Europe into another: men staking claim, setting fire to lands and lives not their own. The moon was a silver hook the night of the party. The host fed cedar branches into the flames. I glanced at the guests: British, Russian, German. Lipless landlords swilling wine, their teeth long.

The fish, freshly caught not two kilometers away, demanded attention and a delicate hand. My husband had been the one to flip the grill basket over and again. The meat was pristine: white and sweet, and when it melted on the tongue, it came as a surprise.

The hostess of the party had pale, wolfish eyes. Her voice was slow, her dry mouth full of malice. The Turks don’t have a tradition of reading, wouldn’t you say? Their newspapers are all tabloid quality.

I watched my husband’s handsome face twist, the English words muffled and strange inside his throat. The Turkish people. Say: The Turkish people, not Turks.

The suffering was close here, yet we were able to ignore it. My husband dug at the ancient Greek site. I squeezed lemon into my hair and baked under the sun. The wolves turned their backs to the gates, eyes trained west.

The home they rented us that summer was guarded by a high wall, removed from the fray. On nights it was too hot to sleep, I slipped out of the cotton bed I shared with my husband and climbed onto the roof. After the dinner party that evening I had done so, scaling, scaling the metal ladder steps with bare feet, the air puffing the skirt of my nightgown. I smoothed the fabric, sitting cross-legged on dust-caked tiles and craned my neck, trying to see the camp just outside town. I imagined the men: deflated, unshaven; the women and children, their faces slack as the outdoor television flickered its sad light.

The following day, my husband carried a rain boot in from the garden and tilted it up to me. I was sitting at the kitchen table, stringing green beans, snapping the ends off with the nail of my thumb. Look inside, my husband said. The baby scorpion seemed frightened. It cowered against the toe, a tiny hook poised to strike. I widened my eyes.

The scorpions were everywhere that summer. An infestation. It was all the gated community could talk about. The men who tended to our gardens shook their heads and patted sweat from their brows with folded up rags. Every other day another nest was discovered.

The gardeners had finished their season by the time I found the girl. The tourists had long packed for home. The days were shorter. We pulled cardigans over our tan shoulders at night. My husband and I would return home to Istanbul, to the university, soon enough.

She had been sitting alone, shaded by a broad-armed oak tree that spread its grace over her: the field sun-crisped and quiet for miles. I didn’t spot her at first, but when she toppled suddenly onto her side, my eyes leapt and I bounded to her. She clutched her leg, the scorpion twitching beside her. I asked if she was okay and she looked up at me blankly, so unblinking and hollow that I thought for a moment she might be dead.

I crouched lower still. Let me carry you, I said, absurdly. She was young, but so was I: small and weak. The girl said nothing. My heart a hammer, I straightened and squinted across the field. There was no one but us.

I’ll carry you to my home, I said again, firmer now. We can ask for help. An ambulance. The police.

No police, she said sharply. Her eyes were red, like a sheep. Are you fucking stupid?

Inside our rental home with its clean, white tiles, I lifted her feet carefully onto the ottoman. I pressed at the wound with a sponge soaked in soapy water. I applied a cool compress and brought a glass cup to her cracked lips.

A doctor? I tried again. Tabeeb?

When I left her to go to the bathroom, I thought about leaving the door open but didn’t. My pristine plumbing was an embarrassment, the claw-foot tub a slap in the face. By the time I returned to the room with its ottoman and compress, she was already gone.

By dusk, my husband had come home. He slipped off his shoes, padding across the tiles to me. We ate in silence. That night, alone and foolish atop the roof, her camp was all I could see.

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