A Confession Between Lambert and Lansdowne Station
Poetry
Jon Lampe received his MFA in Creative Writing from the University of Miami. His work has appeared in Pleiades, Salt Hill, and Big Muddy, among others.
Read more »
Fiction
"A Sample Boy" is part of Maxine Rosaler's novel in stories, Queen for a Day, which will be published by Delphinium Press in June 2018. The novel has received a starred Kirkus Review and has been…
Read more »
Baby, Your Daddy Called to Say He Gave Us Chlamydia
Poetry
Sarah Carson is the author of the books Buick City (Mayapple Press) and Poems in which You Die (BatCat Press). She lives outside of Flint, Michigan with her daughter and two dogs.
Read more »
Fiction
Meg Mullins is the author of three novels, The Rug Merchant, Dear Strangers, and This is How I’d Love You. Her work has been selected for the Barnes & Noble Discover Great New Writers series and…
Read more »
Poetry
Linda Parsons is a poet and playwright and formerly an editor at the University of Tennessee in Knoxville. She is the reviews editor at Pine Mountain Sand & Gravel, former poetry editor of Now…
Read more »
Creative Nonfiction
Jen Hirt’s memoir, Under Glass: The Girl With a Thousand Christmas Trees (University of Akron/Ringtaw Press), won the Drake University Emerging Writer Award. Her essay “Lores of Last Unicorns,”…
Read more »
Poetry
Lis Sanchez has writing appearing or forthcoming in Prairie Schooner, Salamander, New Orleans Review, Harvard Review Online, The Bark, Puerto Del Sol, Lunch Ticket Amuse-Bouche, The Boiler, Journal of…
Read more »
If Imagination and Memory met unexpectedly, one last time
Poetry
Allison Adair’s poems have appeared in American Poetry Review, Best New Poets, Boston Review, FIELD, Ninth Letter, and Subtropics, among other journals, and will be included in this year’s Best…
Read more »
Interview with Girlhood Fears
Poetry
Danielle Mitchell is the author of Makes the Daughter-in-Law Cry (Tebot Bach 2017), selected by Gail Wronsky for the Clockwise Chapbook Prize. Her work has appeared in apt, Hayden’s Ferry Review,…
Read more »
Fiction
Lana Spendl's chapbook of short fiction, We Cradled Each Other in the Air, was published in 2017 by Blue Lyra Press. Her short stories, essays, and poetry have appeared or are forthcoming in The…
Read more »
Creative Nonfiction
Hudson Jungck lives and works in Colorado.
Read more »
Spell for the Healing Chorus
Poetry
Ann V. DeVilbiss has had work in Crab Orchard Review, The Maine Review, Pangyrus, and elsewhere, with work forthcoming in BOAAT and The Laurel Review. She is the recipient of the Betty Gabehart Prize…
Read more »
Fiction
Will Schwartz has published fiction in Ninth Letter and Newtown Literary, and he won the 2017 Briarcliff Review contest for fiction. He is currently finishing his MFA at the University of Illinois,…
Read more »
Fiction
Luke Muyskens lives in Minneapolis, Minnesota. His fiction has appeared most recently in Arts & Letters, New Madrid, Emrys, Hopkins Review, and Superstition Review. His poetry has appeared most…
Read more »
Fiction
Connor Saparoff Ferguson is a writer and translator whose fiction and essays have appeared in The Rumpus, Hobart, The Millions, Electric Literature, Hippocampus, Monkeybicycle, and elsewhere. Born and…
Read more »
Creative Nonfiction
Rosalyn Rossignol, PhD, is an artist and writer who lives in St. Thomas, U.S. Virgin Islands. She has previously published two books on the 14th century poet Geoffrey Chaucer, a number of short…
Read more »
Transcript of the Unnamed
Poetry
Kateema Lee is a Washington, D.C. native. Her recent work has been published in print and online journals such as Pirene’s Fountain, Beltway Poetry Quarterly, African American Review, Gargoyle, and…
Read more »
Linda Parsons
You must believe, and I do, believe
in the blood of my cousin thrice removed
who takes up copper rods to unearth
Civil War dead of the Franklin Campaign
whose father and grandmother witched
wells. Believe in the bartered blood
of Jesus, the Baptist cracker in my teeth.
Believe in these coat-hanger rods, plain
as the grail, as the questioning lips
at Gethsemani’s table. Believe in the fairy
ring of my backyard, the already gangly
tomatoes, Kinnebecks, chard sails hoisted,
the bed of lilies sounding brief horns
on Father’s Day. Believe the rods will
bend to Earth’s shaky mantle and tremble
as I approach the old cistern, plugged
with river rocks, buried in green
just as the tracks where he used to park
have grassed over. And they do, the rods,
nod inward, toward whatever depth
channeled April rains for whatever
generations removed from my dailiness
under the same roof, from my turning
of days’ deckled pages. Believe,
and I do, in watertables untapped,
tremors unfelt, in rods divining my move
from this world’s slippery source
to the next, realigned as if breath never
caught or turned askew, as if gravity’s
field or faith never held me dear.
Read more »