Donna Vorreyer
Ash Wednesday

Donna Vorreyer - Ash Wednesday

Poetry
Donna Vorreyer is the author of Every Love Story is an Apocalypse Story (2016) and A House of Many Windows (2013), both from Sundress Publications. Her poems, reviews, and essays have appeared in… Read more »
Nicholas Molbert
Box

Nicholas Molbert - Box

Poetry
Originally from the Louisiana Gulf Coast, Nicholas now lives and writes in Cincinnati. You can find his work at The Adroit Journal, The Cincinnati Review, DIAGRAM, Missouri Review, Ninth Letter, and… Read more »
Kate Levin
Catching Up

Kate Levin - Catching Up

Poetry
Kate Levin holds an MFA in Creative Writing from the University of Michigan. Her work has appeared in The New York Times, The Boston Globe, The Nation, The Paris Review - The Daily, River Teeth, and… Read more »
Amy A. Whitcomb
Cause for Celebration

Amy A. Whitcomb - Cause for Celebration

Poetry
Photo credit: Karin Higgins Amy A. Whitcomb is an artist and editor based in northern California. Her poetry and prose have recently appeared or are forthcoming in Witness, New South, Terrain.org,… Read more »
Emily Stoddard
Inheritance Rosarium

Emily Stoddard - Inheritance Rosarium

Poetry
Emily Stoddard is a poet and writer in Michigan. Her writing appears or is forthcoming in Tupelo Quarterly, Ruminate, Radar, Dark Mountain, Tinderbox Poetry Journal, America, Cold Mountain Review, New… Read more »
Jed Myers
Night Song

Jed Myers - Night Song

Poetry
Jed Myers was born in Philadelphia and lives in Seattle. He’s author of Watching the Perseids (Sacramento Poetry Center Book Award), The Marriage of Space and Time (MoonPath Press), and four… Read more »
Jana-Lee Germaine
Oklahoma, Blackbirds

Jana-Lee Germaine - Oklahoma, Blackbirds

Poetry
Jana-Lee Germaine’s work has appeared or is forthcoming in Cimarron Review, Bellevue Literary Review, Painted Bride Quarterly, Poet Lore, Southern Poetry Review, The Carolina Quarterly, december,… Read more »
Taylor Supplee
Passage

Taylor Supplee - Passage

Poetry
Taylor Supplee is a gay poet from the Midwest who earned his MFA from Columbia University where he serves as the Lucie Brock-Broido Teaching Fellow. A finalist for the 92Y Discovery Award in Poetry in… Read more »

Inheritance Rosarium

Emily Stoddard

As a girl, my mother overheard her grandmother praying to die. Every night after, the little girl composed counterweight prayers of live, live, live. Twenty years later, I was born and they still walked this tightrope together, my great-grandmother having no idea god preferred the sound of my mother’s voice. I was one of my mother’s living novenas, not baptized in the church but in the chapel of the nursing home where my great-grandmother waited. * As a girl, my grandmother told me when a loved one neared death she saw black crosses and waited for the phone to ring. Death was always near us and crossing itself. Even as I write this, a vulture circles the sky to the east. I had called my grandmother on the day she died, but I saw no crosses. On the night of her birthday, she slipped away in her sleep without warning, a perfect circle. When I doubt the possibility of mercy, I think of her death. The gone-to-sleep death, given to those who fear it most. My death won’t be like that. * I was baptized under death’s wing, as a girl born on a Friday, the day of sorrowful mysteries. I was a Lent-hearted girl: prone to biting my lip too hard just to taste the salt, loved most the day the saints had gone to gallows. Lent was a gallery of unknowns. St. Isidore’s shovel went missing under purple folds. The downturn of Jesus’ face became a blunt clue, but I always knew where St. Thérèse stood, knew the shape of her small skull. The edges of her roses softened further under their purple veil, as though she had chosen the dark inside of the darkest one and buried herself in it. * As a girl, I did not yet know my mother’s prayers, did not know she was born on the day of glorious mysteries, that every night she wove a net of live under a woman who asked to be buried. I watched my great-grandmother for her rosaries, for the ropes of vein in her hands, for how she spoke in her old age. Her mouth sucked and the tongue pattered, and because she seemed the most holy person in my life, that is how I tried to form my prayers. A soft jaw and a knuckled rosary, a rose wrapped around a demand: show me, show me, show me * It’s said a girl is carried inside the egg inside her not-yet-mother, carried inside her future grandmother. My mother must have known. As a girl, she took my hand, pressed it to her side, and said: Feel this. A single rib jutted away from the cage, a rupture created by my heel, evidence of life. If it’s true, I waited on the tightrope of live, live, live, was carried inside the black cross, and they were carried first by the woman who knew how to pray for death. If it’s true, if god is there at all, she kicks us from the inside.
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