Nicholas Molbert
Poetry
Originally from the Louisiana Gulf Coast, Nicholas now lives and writes in Cincinnati. You can find his work at The Adroit Journal, The Cincinnati Review, DIAGRAM, Missouri Review, Ninth Letter, and Pleiades among others.
Box
Give me Xbox now, still, instead of toolbox
or tacklebox and—with my created boxer, pixelated—
I will bang the faces of shit-talkers because I was not
ready myself years ago to be disgraced
by the fisticuffs cementing our high-school hierarchies.
Yet, after athletic P.E., unpadded, we gathered
for the daily rehearsal of our manhood myth encased
in the cage of the football stadium’s aluminum bleachers.
But I only refereed. My fingers were the blurry
ten-count. Standing, there, did not
depend on how incessantly you could mash buttons.
More that your hands rumbled when socked.
We stood like tackle dummies. We did not clap
or console. We staggered like foals. We flung our fists
like joysticks. We stood quick, or tried, no matter
how battered. We rematched because blood meant risk.
Each brought a clean change of clothes.
When it was done, one of us uncoiled the hose.
Two Sonnets for the Boy
I.
You buckled my chinstrap, pulled pads
over my shoulders in preparation for the last game
of my only season, then sentenced me
to my sorry, sidelined nickelback spot—
I had feet for hands & fifty-dollar gloves
on ten-cent hands—where, in just my third snap,
the referee pulled his yellow flag
for my horse-collar tackle on Thomas Rosamond,
the opposing team’s stud back, & you yelled
That horse-collar rule is horseshit, your spin
on an ESPN headline, then Come on son, do work,
what could have been New Iberia’s slogan,
an industrious invective singing still
in neurons scattered & stunted like bonsai.
II.
My uniform to-the-nines. Starched
button-down. Margin between neck
& tie large enough for two fingers.
Your two fingers between my neck & collar.
The only room I see is room for improvement
you said. Room I associate with threat.
The son you wanted has a spine
staked by a shotgun. Upright,
violent posture. Ribcage clenched
into a white-knuckled fist. Your son
never fired a gun. His collar, white
& weathered as chapped lips.
Your neck dark-ringed
at the creases with dirt. Mine, clean.
“
Both of these poems investigate masculinity in some way. ‘Box’ aims to highlight the pre-teen and teenage masculinity
characterized by showmanship. On top of that, I was thinking about the differences between virtual showmanship (boxing
video games) and the showmanship of post-football practice boxing. ‘Two Sonnets for the Boy’ wrestles with familial
masculinity. In this case, I believe it's pretty obvious that the speaker doesn't see himself as fitting within the
frames of masculinity his family (his father) wants him to inherit. The poems are formal—however loosely—but I wasn't
thinking about the ways, for example, the discomfort of the speaker in ‘Two Sonnets’ with regard to the brand of
masculinity he's tasked to inherit bangs up against the walls of the sonnet form, though that valence of meaning is
definitely there.
”