Christine Ma-Kellams
An Answer in Search of a Question

Christine Ma-Kellams - An Answer in Search of a Question

Fiction
When she isn't writing, Christine Ma-Kellams teaches psychology at the University of La Verne. Her fiction has appeared in ZYZZYVA, the Kenyon Review, Gargoyle, Paper Darts, Necessary Fiction,… Read more »
Thomas Genevieve
Autumn Light

Thomas Genevieve - Autumn Light

Fiction
Thomas Genevieve is a teacher living in New Jersey. He has been writing fiction, with a specific focus on short stories, for about six years. His work appears or is forthcoming in the Broadkill… Read more »
Amanda Newell
Because I Am Lonely and You Will Not Know My Pain

Amanda Newell - Because I Am Lonely and You Will Not Know My Pain

Contest - 3rd Place
Amanda Newell is the author of the poetry chapbook, Fractured Light (Broadkill Press). Her poetry has appeared in Bellevue Literary Review, Gargoyle, North American Review, RHINO Poetry, Scoundrel… Read more »
Christopher X Ryan
Day Shapes

Christopher X Ryan - Day Shapes

Contest - 2nd Place
Christopher X Ryan lives in Helsinki, Finland, where he works as a writer and book editor. Born in Massachusetts, he has an MFA from Naropa University's Jack Kerouac School of Disembodied Poetics in… Read more »
Adam Houle
Hearing about the Wreck

Adam Houle - Hearing about the Wreck

Poetry
Adam Houle is the author of Stray (Lithic Press, 2017), a finalist for the 2018 Colorado Book Award. His poems have appeared in AGNI, Poet Lore, Barrow Street, and elsewhere. He lives in Darlington,… Read more »
Yvonne Stiver-Macleod
If You Have an Uncle Gage

Yvonne Stiver-Macleod - If You Have an Uncle Gage

Fiction
Yvonne Stiver-Macleod's poetry and prose have previously appeared in Descant, Northwords, New Writer and other publications. She currently lives in Muskoka, Ontario, Canada. Read more »
Ian Mahler
Lapse

Ian Mahler - Lapse

Ian Mahler is a non-binary, autistic queer author and artist with a lasting fondness for green tea and Granny Smiths. In his spare time he draws and writes poems that his friends tell him are “quite… Read more »
Chelsea Dingman
Memento Mori

Chelsea Dingman - Memento Mori

Poetry
Chelsea Dingman’s first book, Thaw, was chosen by Allison Joseph to win the National Poetry Series (University of Georgia Press, 2017). She is also the author of the chapbook What Bodies Have I… Read more »
Leslie Carlin
Occasionally Good

Leslie Carlin - Occasionally Good

Contest - 1st Place
Leslie Carlin is an anthropologist by day and a writer of fiction and creative non-fiction by night. Born, grown, and educated in the United States, she has spent most of her career in England and… Read more »
Anne Hodges White
Proof

Anne Hodges White - Proof

Creative Nonfiction
An emerging writer, Anne Hodges White's stories and essays have appeared in Milk Sugar Journal, Prick of the Spindle, and Passages North. Those appearing in the latter two—"LuLu's Southern Beach… Read more »
Tim Fitts
Sea Balloon

Tim Fitts - Sea Balloon

Fiction
Tim Fitts lives and works in Philadelphia with his wife and two children. Fitts teaches in the Liberal Arts Department of the Curtis Institute of Music and serves on the editorial staff of the Painted… Read more »
Deesha Philyaw
Snowfall

Deesha Philyaw - Snowfall

Fiction
Deesha Philyaw is a Pittsburgh-based writer. Her writing on race, gender, and culture has appeared in The New York Times, The Washington Post, Brevity, The Cheat River Review, dead housekeeping,… Read more »
Robert Watkins
The Little Girl and the Universe Tool

Robert Watkins - The Little Girl and the Universe Tool

Robert Watkins lives in southeast Idaho where he works as an assistant professor of English at Idaho State University. His writing has appeared, or will appear, in InVisible Culture, Kairos, Digital… Read more »
Michelle Turner
The Trails in New Jersey

Michelle Turner - The Trails in New Jersey

Poetry
Michelle Turner’s poetry has appeared or is forthcoming in The Adroit Journal, The Carolina Quarterly, Slice, Southern Humanities Review, Tinderbox Poetry Journal, Typo Magazine, and elsewhere. She… Read more »
Bill Wolak
The Tripwire of a Dream

Bill Wolak - The Tripwire of a Dream

Bill Wolak has just published his fifteenth book of poetry entitled The Nakedness Defense with Ekstasis Editions. His collages have appeared recently in Naked in New Hope 2017, The 2017 Seattle Erotic… Read more »
Hannah VanderHart
Tractors

Hannah VanderHart - Tractors

Poetry
Hannah VanderHart lives in Durham, NC, where she co-runs the Little Corner Poetry Reading Series at Duke University. She has her MFA from George Mason University and is currently at Duke writing her… Read more »
Rachel Furey
Twenty-Nine

Rachel Furey - Twenty-Nine

Creative Nonfiction
Rachel Furey is an Assistant Professor at Southern Connecticut State University. She earned her PhD from Texas Tech. Her work has appeared in Crab Orchard Review, Sycamore Review, Hunger Mountain,… Read more »

Twenty-Nine

Rachel Furey

“What they don't understand about birthdays and what they never tell you is that when you're eleven, you're also ten, and nine, and eight, and seven, and six, and five, and four, and three, and two, and one.”

–from “Eleven” by Sandra Cisneros

When the doctor asks if I’ve been around any chemicals, if I might be completing my doctorate in chemistry, I’m adamant: “I’m in English. We read books.” I squirm in my seat. I’m sixteen again, in chemistry class, palms sweating as I attempt to light the Bunsen burner.

The doctor glances up from his computer screen. I now have the answer to his question about what the rash feels like. It feels like my childhood nightmares—flames licking at my skin. He clicks the mouse, then says it’s time to see the rash.

I stand, lift my T-shirt, reveal the red pattern that grips my waist. I’m twelve and having a scoliosis examination in the too-warm office of my physical education teacher. I’m nine, ten, and eleven with bronchitis, the doctor’s cold stethoscope pressed to my chest, wheezes wincing from my throat.

The doctor snaps on gloves. “Have you had chickenpox?”

I’m five, Mom lifting my shirt to show Dad the lumps. “Yes.”

“It’s shingles,” the doctor says.

The commercials suggest I must be at least sixty. I’m four and want to cry. I’m seventeen and want to scream. I’m twenty-nine and so tired I simply sit back down.

The doctor asks about my studies—about added stress.

I’m five and cannot tell my parents my swollen lip came from a game of duck-duck-goose. I’m thirteen and cannot tell Mom my period came for the first time. I mumble family stuff, which means Grandpa died, then Uncle died, which reminded me how easily my parents could die.

I collect the prescription, then bike back to my apartment, the West Texas wind kicking up dirt that slips under my sunglasses. My legs pedal, freed from the tight gray examining room. I’m fourteen and just learned the gift of wind in my face, a vehicle powered and steered by myself.

The fields I bike past are brown—capable of crackling. I pedal more quickly.

At the bottom of the stairs leading up to my apartment, I’m six wishing Dad just drove me home, sees me asleep and will carry me inside. I lift my bike, careful not to rub it against the rash, and heft it up the stairs. I’m twenty, lifting my bike onto the car rack, readying for my first solo drive with my bike in tow.

Inside, I swallow medicine, then climb into bed, curl up like I’m one. The rash burns. I’m five, Mom telling me I must learn how to get back to sleep after a nightmare, that she cannot sit beside me each hour of every night. I’m seven, kicking my light-up shoes in the dark of the auditorium to avoid seeing images of burnt skin on the big screen, firemen telling us we must know our escape route.

Tumbleweeds roll outside my window. A hot wind howls.

I grip my sheets. I’m two and can cry as much as I want. I’m three and in preschool for the first time, hugging Dad’s leg. I’m eight and want to be a firefighter because my teachers say you should face your fears. I’m twelve and waiting for Comet Hale Bopp to tear across the sky so I can admire flame from afar. I’m fifteen and Mom says I must practice lighting a match.

I peek at the rash.

I’m eighteen, lighting a match comfortably for the first time. Still understanding I don’t control the flame. Still wary of the candle at our dinner table. I’m nineteen and funneling down my dorm’s thirteen floors as the fire alarm roars, fingers poked into my ears, sure I might faint. I’m twenty-one and graduating from college, twenty-two and mapping out my escape route in my new apartment. At twenty-five, the window’s an arm’s length from my bed—the route clear. Then I’m twenty-seven and the fire danger’s so high there aren’t fireworks on the fourth.

My fingers hover above the rash. I’m five and my teacher wants me to press a hand to a cardboard door, practice checking for fire on the other side. I refused.

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