Danielle Kessinger
Pry Apart a Single Pane

Danielle Kessinger - Pry Apart a Single Pane

Poetry
Danielle Kessinger has work published or forthcoming in Bartleby Snopes, the Drunken Odyssey, Burrow Press, and the anthology Jack’s Porch. She has lived and written in the mountains of Colorado,… Read more »
JD Scott
Avatars

JD Scott - Avatars

Fiction
JD Scott is the author of two chapbooks, Night Errands (YellowJacket Press, 2012) and Funerals & Thrones (Birds of Lace Press, 2013). Recent and forthcoming publications include Best American… Read more »
Siân Griffiths
Clockwork Girl at the Opera

Siân Griffiths - Clockwork Girl at the Opera

Fiction
Siân Griffiths lives in Ogden, Utah, where she directs the Creative Writing Program at Weber State University. Her work has appeared in the Georgia Review, Fifth Wednesday Journal, Quarterly West,… Read more »
Robert Vivian
Essay Breathless in A World of Cloud And Smoke

Robert Vivian - Essay Breathless in A World of Cloud And Smoke

Creative Nonfiction
Robert Vivian's most recent books are Mystery My Country and Traversings, which was co-written with the poet Richard Jackson. Read more »
Jennifer Martelli
Grid God

Jennifer Martelli - Grid God

Creative Nonfiction
Jennifer Martelli’s debut poetry collection, The Uncanny Valley, was published in 2016 by Big Table Publishing. Her poetry and prose have appeared in Tar River Poetry Journal, Green Mountains… Read more »
Jackleen Holton Hookway
Happy Pills

Jackleen Holton Hookway - Happy Pills

Poetry
Jackleen Holton Hookway’s poems have been published in The Giant Book of Poetry, and Steve Kowit: This Unspeakably Marvelous Life, and have appeared or are forthcoming in American Literary Review,… Read more »
M. Ann Hull
I Know the Science of the Thing:

M. Ann Hull - I Know the Science of the Thing:

Poetry
M. Ann Hull has published work in 32 Poems, Barrow Street, BOXCAR Poetry Review, Fugue, Mid-American Review, Passages North, and Quarterly West, among others, and has been awarded the Academy of… Read more »
Sarah J. Sloat
Industry Lap Dog

Sarah J. Sloat - Industry Lap Dog

Poetry
Sarah J. Sloat lives in Germany, where she works in news. Her poems have appeared in numerous publications, including Birdfeast, Beloit Poetry Journal and DMQ Review. She used to run every day and… Read more »
Mary Peelen
Interim

Mary Peelen - Interim

Poetry
Mary Peelen lives in San Francisco. Her poetry, fiction, and nonfiction have appeared or are forthcoming in Bennington Review, Alaska Quarterly Review, Michigan Quarterly Review, Gulf Coast, The… Read more »
Krysten Hill
Knives

Krysten Hill - Knives

Poetry
Krysten Hill is an educator, writer, and performer who has showcased her poetry on stage at The Massachusetts Poetry Festival, Blacksmith House, Cantab Lounge, Merrimack College, and many others. She… Read more »
Avram Kline
Labor

Avram Kline - Labor

Poetry
Avram Kline lives in New York with his wife and son. His poems, stories, and essays can be found in jubilat, PANK, Fence, Big Big Wednesday, Transom Journal, The Common, Juked, and Spoke Too Soon,… Read more »
Robert Brunk
Not From Around Here

Robert Brunk - Not From Around Here

Creative Nonfiction
Robert Brunk’s work has appeared or is forthcoming in The Virginia Quarterly Review, The Iowa Review, Ninth Letter, The Michigan Quarterly Review, The Gettysburg Review, Witness, Chautauqua, The… Read more »
J. Eric McNeil
Perfect Horses

J. Eric McNeil - Perfect Horses

Fiction
J. Eric McNeil is a former English teacher, student publications advisor, and fiction editor and designer of the literary magazine turnrow. He received his doctorate in creative writing from the… Read more »
Heather Dewar
Spring

Heather Dewar - Spring

Fiction
Heather Dewar is an award-winning writer whose work has appeared in the Bellevue Literary Review, New South, Blue Lyra Review, The Dirty Napkin, Utne, The Common Review, and the Chicago Reader among… Read more »
Jenna Le
Standing Between My Parents at Manatee Lagoon

Jenna Le - Standing Between My Parents at Manatee Lagoon

Poetry
Jenna Le is the author of Six Rivers (NYQ Books, 2011) and A History of the Cetacean American Diaspora (Anchor & Plume Press, 2016). Her poetry, fiction, nonfiction, and translations appear or are… Read more »
Lisa Rosinsky
That Dark Center

Lisa Rosinsky - That Dark Center

Poetry
Lisa Rosinsky is the 2016-2017 Associates of the Boston Public Library Writer-in-Residence. Her poetry appears in Measure, Prairie Schooner, Hunger Mountain, Iron Horse Literary Review, and various… Read more »
Joseph Rakowski
The Animals We Go to War With

Joseph Rakowski - The Animals We Go to War With

Fiction
Joseph Rakowski received his bachelor’s degree in criminology from Florida State University and is pursuing his MFA in fiction at the University of San Francisco. His literary work is forthcoming in… Read more »
Tad Bartlett
The Memory Gardener

Tad Bartlett - The Memory Gardener

Fiction
Tad Bartlett was born in Ankara, Turkey; grew up in Selma, Alabama; and married into New Orleans. His fiction has been published by Novella-T, Carolina Quarterly, Bird’s Thumb, The Stockholm Review… Read more »
Curtis Smith
Yes

Curtis Smith - Yes

Fiction
Curtis Smith has published over one hundred stories and essays. His latest books are Beasts and Men (stories, Press 53), Communion (essays, Dock Street Press), and Kurt Vonnegut’s… Read more »

Yes

Curtis Smith

His shovel patted the dirt. A gentle touch. A period, not an exclamation. Twilight had faded to ash, then black. Fireflies rose above the ragged grass, cicadas in the trees. His son by his side. In the boy’s hand, a flashlight, the beam fixed upon the rectangle of upturned earth. The boy had found the dog behind the shed. For the past week, the dog had been lethargic. The heat, the father figured. The dog older than his son. A beagle mix, a rescue, a network of wounds beneath his black and tan coat. The shelter had named him Dodge. The father wasn’t fond of the name, but he believed changing it wouldn’t be fair. The son had just turned nine, an age in which the world was ruled by giants and myths. The father was deeply aware of the shadow he cast upon his son, and he did his best to live accordingly.

The father hadn’t been a dog person. He reminded his wife of their habit of sleeping in, their impromptu road trips. He thought of vet bills and the stink of wet fur. His wife joked: “If we can’t handle a dog, how can we handle a child?” The man had no answer for that, so his wife made phone calls and signed papers. At first, the dog cowered before the father, its tail between its legs, sometimes pissing. In its dewy eyes, the father saw ghosts of violence. A bond was formed, both father and dog survivors, the keepers of secrets. The dog hiked the woodland trails the father loved, and soon, the father’s misgivings were won over by the beast’s drive, its loyalty. Its soul. The wife, now eight-months round with their son: “You love him more than I do.”

The dog, then his son, and for the next six years, the father hoped the happiness of the moment might be his forever. He breathed freely, unafraid and at peace. He forgot his past. The dog became the infant’s punching bag, ears and tail pulled but barely a yelp. The dog curled, nose to ass, beside the crib, his snout lifted to witness groggy feedings and diaper changes. Then the unraveling. Arthritis gripped the dog. Second grade a quagmire for the boy, playground bullies, the mysteries of math. His wife drifted in thought and gaze. On a warm April Sunday, their backyard cherry tree flush in pink and white, she disappeared only to emerge halfway across the country. A new man, a love she couldn’t live without. Twice a week, she Skyped with the boy, and in two days, the son would fly in his first plane to spend the rest of the summer with her and her new husband.

The father offered a final pat of his shovel. He touched the boy’s shoulder. “Let’s go.”

The boy turned off the flashlight and slid it into his pocket. Above, stars, a half moon; below, a landscape of silver-edged shadows. The boy kept his distance as the father returned to the shed. The father opened the door and fumbled in the darkness. His hands a mystery. The scent of grass and oil. He groped the wall but couldn’t find the spot where he hung the shovel. He called for his son’s flashlight but got no response. The man stepped outside. The boy was gone.

He paled, a sickened heartbeat, his tongue stone. Then a grunt, a flailing branch, and he spotted the boy climbing into the tree house. The father had built the tree house last spring; its origins, though, rooted in winter, a single-digit day. The father and his wife arguing, him still blind, unable to taste the poison in the air, and finally, the boy in tears. The wife left, a slammed door, a squeal of tires. The boy’s sobs deepened, inconsolable, the father’s appeals to calm and logic lost in the boy’s fears. Fresh air, a change in perspective—the father hoped these things would help. He bundled the boy in layers, all the while drying tears and whispering assurances. Outside, the cold still a shock. The sky crystalline and blue, the sun bright without warmth, gutter icicles, some as tall as the boy and which made the father nervous. The father lifted the boy to the cherry tree’s lowest branch then stepped back, his hands never far. The boy found a nook and sat. His boots dangled above the father’s head. Their exhaled breath rose through the naked branches. The boy calmed, and when he was ready, he jumped into his father’s arms. At the back door, the boy turned to his father. His cheeks flushed, snot on his lip. How cool it would be to have a tree house, he said. A place all his own, way up high.

A shine in the tree house’s doorway and window, white rectangles cut from the night. The beam moved, a circling inspection, the boy terrified of spiders. Light spilled over snarls of leaves and branches. Slivers escaped a section of ill-fitted floorboards, and the father waved his hand through the thin shafts. The pieces had arrived in a kit, a project marred by misread blueprints and bent nails. The boy oblivious to the structure’s imperfections. The tree house his fort and frontier, his refuge.

The flashlight clicked off. The wooden box melted back into the tree’s canopy. A breeze, the leaves rustling, the scent of chlorine from a neighbor’s pool. The father laid a hand on one of the crooked rungs he’d screwed into the trunk. The son began to speak, his voice thinned by the humidity and cicadas. He asked his father how being mean was so easy for some people. He asked if what was true now would be true forever. He asked about his airplane ride and what he would see above the clouds. He asked what his room would be like at his mother’s new house. He asked if his father remembered how the dog would yelp in his sleep, his paws twitching as if he were running on air, and what, the son asked, did a dog dream about anyway.

The man stood beneath the tree. He swatted his neck, the mosquitos buzzing. Moths danced around the back porch light. He said nothing, wanting to make sure the boy had no more questions. He spoke, a tone gentle yet full enough to rise into the tree. He apologized for all the answers he’d never be able to give, so much was a mystery after all. He’d long ago stopped trying to understand the why of others; all he could control were the actions of his hands, the kindness of his words. Truth, he believed, existed in all states of matter, as bedrock and water and mist, phase changes rooted in perspective and history. Above the clouds waited a sunshine brighter than any the boy had ever witnessed. His room at his mother’s new home would be different, but every night he stayed there, he would claim it a little more. The dog had dreamed of bones as big as table legs and never-ending fields, but most of all he dreamed of you, his boy.

He fell silent. The cicadas thrummed. Farther off, a dog the father knew by its bark, a howl taken up and echoed, dogs the father recognized (all those walks, the years of small talk and tangled leashes) and others he did not. He looked back to his house. A single light, the moths. On the boy’s bed, a suitcase the father had yet to pack.

“Dad?”

“Yes?”

“Can I think about what you said?”

“Yes.”

“Can I think about it up here?”

“Yes.”

“Will you wait there?”

The father brushed down a lawn chair, its back, above and below the seat. He, too, was afraid of spiders. He studied the tree. The sky. He removed his socks, and his toes pulled at the dry grass. He unbuttoned his shirt and let the breeze cool his skin. “Yes,” he said. “I will be here. Waiting.”

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