Jarrett Moseley
A Possible Exit

Jarrett Moseley - A Possible Exit

Contest - Prose Poem
Jarrett Moseley is a bisexual poet living in Miami, where he was a James A. Michener fellow in the University of Miami's MFA program. He is the recipient of the 2022 Alfred Boas Prize from the Academy… Read more »
Robert Osborne
A Year of Riots

Robert Osborne - A Year of Riots

Fiction
Robert Osborne is a consultant to not-for-profit organizations. His short story ‘Children’ was a fiction finalist in Witness Magazine’s 2022 Literary Awards and his short story ‘A Year of… Read more »
Charlie Peck
Bird’s Aphrodisiac Oyster Shack

Charlie Peck - Bird’s Aphrodisiac Oyster Shack

Poetry
Charlie Peck is from Omaha, Nebraska and received his MFA from Purdue University. His poetry has appeared previously in Cincinnati Review, Ninth Letter, Massachusetts Review, and Best New Poets 2019,… Read more »
Remy Reed Pincumbe
Flags

Remy Reed Pincumbe - Flags

Fiction
Remy Reed Pincumbe is a Michigan writer and bookseller whose work can be found in Passages North and Strange Horizons. They completed an MFA at the University of Arkansas, where they worked as the… Read more »
Bronte Heron
Housekeeping

Bronte Heron - Housekeeping

Poetry
Bronte Heron is a poet and educator from Aotearoa/New Zealand, currently living in New York City. They are an MFA Candidate in the Creative Writing Program at The New School and an alum of The… Read more »
Brendan Constantine
Oxygen

Brendan Constantine - Oxygen

Poetry
Brendan Constantine is a poet based in Los Angeles. His work has appeared in many standards, including Poetry, The Nation, Best American Poetry, and Poem A Day. He currently teaches at The Windward… Read more »
Sara Elkamel
Renovation

Sara Elkamel - Renovation

Poetry
Sara Elkamel is a poet, journalist, and translator based in Cairo. She holds an MA in arts journalism from Columbia University and an MFA in poetry from New York University. Her poems have appeared in… Read more »
Robin Littell
Sidewalks

Robin Littell - Sidewalks

Contest - Flash Fiction
Robin Littell holds an MFA in Creative Writing from Miami University. She is the author of Flight, the 2018 Vella Chapbook Winner at Paper Nautilus Press. Her flash fiction has appeared in the Hawaii… Read more »
Tom Roth
Thanks for the Ride

Tom Roth - Thanks for the Ride

Fiction
Tom Roth teaches creative writing at a middle school in Cincinnati, Ohio. His most recent publications are in On the Run and Outlook Springs. He earned an MFA from Chatham University. He recently… Read more »
Roxanne Lynn Doty
The Hitchhiker

Roxanne Lynn Doty - The Hitchhiker

Fiction
Roxanne Lynn Doty lives in Tempe, Arizona. Her debut novel, Out Stealing Water, was published by Regal House Publishing, August 30, 2022. She has published stories and poems in Third Wednesday,… Read more »
Mimi Veshi
The Nanny

Mimi Veshi - The Nanny

Creative Nonfiction
Mimi Veshi is a new writer living in the Washington, DC, area. She writes essays, poetry, and short stories. The themes examined in her work include identity, culture, race, and growing up as an… Read more »
Kayo Chang Black
They Look Like Me

Kayo Chang Black - They Look Like Me

Creative Nonfiction
Kayo Chang Black is a Taiwanese Canadian writer exploring hybrid identities, global citizenship, and the intersection of cultures. Her librarian career brought her to the UAE, Bahrain, and Hong Kong.… Read more »
Jim Genia
Thiohnaka (Home)

Jim Genia - Thiohnaka (Home)

Fiction
Jim Genia—a proud Dakota Sioux—mostly writes nonfiction about cage fighting but occasionally takes a break from the hurt and pain to write fiction about hurt and pain. He has an MFA in creative… Read more »
Virginia Kane
What I Didn’t Inherit

Virginia Kane - What I Didn’t Inherit

Poetry
Virginia Kane is a poet from Alexandria, Virginia, and the author of the poetry chapbook If Organic Deodorant Was Made for Dancing (Sunset Press 2019). Her work has appeared in them., The Adroit… Read more »
Rochelle L. Johnson
Where Ashes Bloom

Rochelle L. Johnson - Where Ashes Bloom

Contest - Flash Creative Nonfiction
Rochelle L. Johnson writes about living with disability in a broken world. A professor of environmental studies, her scholarly essays appear in various journals and anthologies, and her creative… Read more »
Michael J. Grabell
Why Are Things So Heavy in the Future?

Michael J. Grabell - Why Are Things So Heavy in the Future?

Poetry
Michael J. Grabell grew up in a single-parent household, the son of a high school Spanish teacher and the grandson of an immigrant window washer from Ukraine. His poems have appeared or are… Read more »

Flags

Remy Reed Pincumbe

There’s a house on my street with a very tall flagpole, and flying from that flagpole is a very large flag.

I walk past it every day on the way to the bus stop, unless it’s raining, and then my mom drives me past it on the way to the bus stop. For a long time I didn’t notice it, because I don’t like to look at that house, because the people that live there look like the Berenstain Bears and will yell out a window if your dog even thinks about taking a dump in their yard, even if you’re standing there slouched and cringing with a bag at the ready.

But there are some things that catch the eye and stick, images like a bad song in your head. The flagpole is getting taller, the flag getting larger, and it no longer matters where I am in this stupid little town—everywhere I go, it sees me. There are eyes on it, a lot of them. They watch me in the passenger seat of my mom’s car, watch me daze my way through school, watch me walk down the street with my walk that’s all wrong.

The Berenstain family doesn’t celebrate Halloween, but they celebrate extra hard at Christmas. They put out yard signs with words like Patriot and Pride and Pursuit of Happiness, but they call the cops if you set off firecrackers any time but the 4th of July.

Other people in town have flags—of eyes, of stars and stripes, of crosses and snakes—but this is the only one that grows an inch or more every day, the fabric lengthening, the stitches spreading. This is the only one that breathes, taking huge gulps of wind and expelling something that feels sour, stale as I walk past. This is the only one that will crush me if and when it falls.

All day at school I fantasize about scaling the Berenstain’s flagpole and lighting the flag on fire. The eyes burn out first, then the rest, until the charred remains float around town like snowflakes, and the flagpole unravels like a paper straw. It’s only in fantasies that my body ever does what I want it to do. I can’t land a tennis ball inside the lines. I can’t climb the gym rope more than one foot and seven inches. Even in my dreams my muscles are stringy and useless, my legs drag through sand, and the things that chase me always catch up.

I wander the neighborhood with Spotify and tense shoulders and not enough sunscreen, and when I pass the house with the flagpole the Berenstain dad emerges from a hedge and calls my name. When I shuffle up to him, he looks me over and offers advice on weightlifting and having a healthy relationship with The Lord. The son walks over and rolls his eyes, sighing while his dad speaks, and I can’t look at him. Fever pulses in my face. My smile is cracked glass.

I go to the Family Fare and see the Berenstain mom in the frozen food aisle. I shiver while she tells me—hand on my goose-bumped arm and oh, honey smile on her face—that I should cut my hair, and that I shouldn’t walk like that, and that she knows it must be so hard without my dad around. The daughter is with her, and she stares at the scuffed gray floor, arms wrapped around herself same as they always are at school, where she speaks to no one and wears a look on her face like she’s passing through a long, dark tunnel. It’s a look I often catch in my own reflection, a look that says just survive.

Sometimes the daughter is on their porch when I pass by on my way to the bus stop, because she has a car and does not need to leave early to take the bus. She is always reading, and she never says hello.

School is hot and impossible. I hit tennis balls over the fence and fail algebra. I hide in the I.T. room at lunch and spend Biology not looking at the Berenstain son that my mom tells me I need to be friends with because we’re the same age, and we’re neighbors, and we’re both in Youth Group at the Second First United Baptist Church, and who I can’t be friends with because he can’t speak to me without descending a rung on the social ladder, and I can’t speak to him without stuttering.

How was school, my mom says, and I say, I think the neighbors’ flag is getting bigger.

My mom sighs, and tells me it’s not getting bigger, it’s not looking at me, it doesn’t mean what I think it means—it means something historical, something harmless, something celebrating Southern culture, even though the Berenstains have been Michiganders even longer than my family has. It means so many things it might as well not mean anything at all and I shouldn’t believe the articles I found.

But in Biology the Berenstain son sits behind me and wears a t-shirt that includes the words God and Guns, and I think I probably should believe the articles I found. And my mom is wrong—the flag is getting bigger. When it’s not windy out it drapes over their roof, and when it is windy out its edges get snagged on the pines. The flag gets bigger and the eyes get bigger, multiply, follow me even when I can’t see them. I wonder what they’re feeding it.

It’s so big it’s starting to block the house next door, starting to cover the porch and the daughter’s eyes while she reads, so large my mom’s car catches a corner and leaves a tire print that is washed away by nightfall. It’s spawning copies—little flags planted in gardens, stuck to car windows, washing up in gutters. The Berenstain son smacks my Biology folder out of my hands, and when I pick it up there’s a tiny imprint of the flag in the yellow corner.

The flag is on TV while we eat dinner. The flag is in our garage, on our car, on our walls, on my plate, wrapped around my throat.

I’ve spent sixteen years attempting every hobby in My Book of Hobbies and God’s Book The Bible, and though none of them stuck, my mom kept all the evidence in the basement. It’s a Michigan basement, low and often flooded, full of boxes of stained-glass window paint, piles of WWJD bracelets, stacks of coloring book Bible illustrations that my mom keeps around like she might be asked to prove something unprovable.

Flag making is not in My Book of Hobbies and God’s Book The Bible, but I give it a shot anyway, drag all the boxes into the living room and cut up the abandoned hobbies into piles of beads and fabric and paper. I make flags with whales and cakes and rainbows and astronauts, flags with beads and streamers, with cut-out Bible characters, with cat pictures paired with inspirational phrases. I make maritime flags that spell out lines from my favorite songs and all my secrets.

I take a walk at night with silence and tense shoulders and a wagon full of flags, and when I reach the house with the flagpole, I realize everyone is asleep but the flag. Its eyes peer down at me, looking and wondering and knowing. I pull it down and fold it up and leave it on the porch for the Berenstain daughter to find in the morning when she lets the dog out and sits on the porch with her book. I fantasize about her grabbing a kitchen knife and slicing the thing into a thousand flimsy bookmarks, squashing the many eyes between her pages.

I unwrap all the flags in my wagon and string them up, one by one, and when the flagpole is full, I hang them over windows, drape them over cars, string them between pines, and everything rustles in the wind like a sad hopeful night song.

I stand in the street and watch them sway.

Read more »