Jeff Liao
Desire Lines

Jeff Liao - Desire Lines

Creative Nonfiction
Jeff Liao is a writer and student from New Jersey. His work appears in Ninth Letter and The Interlochen Review. He has received recognition from the National YoungArts Foundation and the U.S.… Read more »
Sari Fordham
My Father Thinks Danger Is Beautiful

Sari Fordham - My Father Thinks Danger Is Beautiful

Creative Nonfiction
Photo credit: Natan Vigna Sari Fordham teaches creative writing at La Sierra University. Her work has appeared in Brevity, Green Mountains Review, Booth, Passages North, and The Chattahoochee Review,… Read more »
Robert Erle Barham
Small as This

Robert Erle Barham - Small as This

Creative Nonfiction
Robert Erle Barham is an English professor at Covenant College, and he lives with his family in Chattanooga, Tennessee.  His work has appeared in Appalachian Review and River Teeth’s… Read more »
Bryana Atkinson
Sorrel

Bryana Atkinson - Sorrel

Creative Nonfiction
Bryana Atkinson is a writer born and raised in Brooklyn, New York. She is currently a graduate student in Composition Studies. Bryana has been writing for as long as she can remember, starting with a… Read more »
Melinda Brasher
The Symbolic Cemetery

Melinda Brasher - The Symbolic Cemetery

Creative Nonfiction
Melinda Brasher spends her time writing, traveling, and hiking. She loves the smell of autumn leaves crunching and the smell of orange blossoms in spring. You can find her work in Short Circuit,… Read more »

My Father Thinks Danger Is Beautiful

Sari Fordham

He swims in the Indian Ocean as the tide rolls in and returns to the guest house dripping. “I thought I was going to drown,” he says, sounding invigorated.

We’re a missionary family—first in Uganda, then Kenya. In the dining room, my father grades papers and my mother writes letters. Together, they cook, read, gossip about missionaries. But when a green mamba dangles from a branch, he steps closer, as she pulls me and my sister Sonja back.

At Christmas, we hike in the foothills of Mount Kenya. The air is cool and fog hangs from the white sky. I drag a stick through the mud, while my father points to a pile of wet dung and then another and another. “Let’s find some buffalo,” he says.

Cape buffalo weigh over a thousand pounds and are notoriously cranky. We’ve seen them from the car as we look for more captivating animals: elephants, lions, giraffes, or cheetahs.

My mother shakes her head no, her mouth the line of a needle. She will not try to stop him today, but neither will she follow behind, grousing. She will wait beside the hedge that runs up over the hill and disappears, and because I’m the daughter most like her, I will stay, too. We are the makers of things. We find satisfaction from the objects that arise from our hands. I cannot understand the chances my father takes. Each time he gets too close to a crocodile, I nearly weep.

The adventurers vanish over the hill, and we stand and talk. I’m too young for my mother to tell me what she’s really thinking, and so we chat about something inconsequential and watch for them to return, as they likely will, without having seen anything besides the grass and the sky and the dung. Ten minutes and then rumbling. We hush up fast and my mother reaches for my hand. We’re standing beside the hedge as the first body thunders past, separated from us by green. More come. A small herd. There’s a symphony of snorts, a sloshing of feet through mud, grunts and growls, but mostly the huff of many buffaloes breathing hard. The air smells feral, electric, and then, everything is still. A bird calls. We look at each other and laugh and laugh. We cannot stop laughing. We—the sensible ones—are shot through with something unexpected and wild.

We are invigorated.

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