Big-Headed Anna at the Ice Cream Social
Fiction
Stephanie Dickinson is an Iowa native who lives in New York City’s East Village. Her novel Half Girl and novella Lust Series are published by Spuyten Duyvil, as is her just-released novel Love…
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But Nothing’s Fair after Love
Poetry
Stevie Edwards is a poet, editor, and educator. She is Editor-in-Chief at Muzzle Magazine and Acquisitions Editor at YesYes Books. Her first book, Good Grief (Write Bloody, 2012), received two…
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Fiction
Zana Previti was born and raised in New England. She earned her MFA in fiction from the University of California, Irvine and is currently pursuing her MFA in poetry from the University of Idaho. Her…
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Creative Nonfiction
Matthew Hobson's work has appeared in literary journals including Hayden's Ferry Review, The Chattahoochee Review, River City, South Dakota Review, Gulf Stream Literary Magazine, and Driftless Review…
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Creative Nonfiction
Elena Kua is a freelance editor-writer in Malaysia. Her work has appeared in Newfound Journal.
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Fiction
Annie Reid is a double expat American currently residing in Sweden after a decade in Canada. She writes apocalyptic video games for a living and fiction for her sanity. She has stories published in…
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Louise Bourgeois to Her Husband, on Love and Her Father’s Mistress
Poetry
Katie Knoll is currently a MA student of fiction at the University of Cincinnati. Her work has appeared or is forthcoming in Narrative, Nimrod, and Rattle, among others. Her poetry and prose have been…
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Fiction
Gabe Herron lives outside a small town near Portland, Oregon with his wife, son, and daughter. He's had a winning story in Glimmer Train's Short Story Award for New Writers. His fiction has appeared…
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Fiction
Eliana Ramage holds a BA and MA in creative writing from Dartmouth College and Bar-Ilan University, respectively. A proud Cherokee Nation citizen, she is at work on a collection of linked stories…
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Our Father, the Lost Geometer
Poetry
Cal Freeman was born and raised in Detroit. His poems have appeared in many journals including The Journal, Commonweal, Berfrois, Birmingham Poetry Review, RHINO, and The Drunken Boat. His first…
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Poetry
Adam Clay is the author of A Hotel Lobby at the Edge of the World (Milkweed Editions, 2012) and The Wash (Parlor Press, 2006). A third book of poems, Stranger, is forthcoming from Milkweed Editions.…
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Poetry
Megan Grumbling’s Vassar Miller Prize-winning poetry collection, Booker’s Point, is forthcoming from the University of Texas Press in spring of 2016. Her work has appeared in Poetry, The Iowa…
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Poetry
Originally from Atlanta, Georgia, Stephanie Ellis Schlaifer is a poet and installation artist in St. Louis. She has an MFA in poetry from the Iowa Writers' Workshop, and her poems have appeared in…
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Poetry
Marlys West is an award-winning writer living in Los Angeles. She has been published in journals and anthologies including American Poetry Review, Best American Poetry, Burnside Review, Duende, Fence,…
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Creative Nonfiction
Amy Wright is the author of Everything in the Universe and Cracker Sonnets, both forthcoming in 2016. She is also the Nonfiction Editor of Zone 3 Press, Coordinator of Creative Writing and Associate…
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Poetry
John Sibley Williams is the author of eight collections, most recently Controlled Hallucinations, and the editor of two Northwest poetry anthologies. A five-time Pushcart nominee, John serves as…
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Fiction
Venita Blackburn earned her MFA from Arizona State University in 2008. Her stories have appeared in Pleiades, Madison Review, Bat City Review, Nashville Review, Smoke Long Quarterly, Café Irreal,…
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Stephanie Ellis Schlaifer
EF-4, Winter, 2011
There are grave doubts
about the hugeness of the land.
—Henry Adams
From the Cumberland Plateau to the coastal plain,
the forest seems nothing but pines—
loblolly, longleaf, shortleaf, and slash,
nothing but overstory.
Silhouetted, tall clear trunks,
high-branched, rough-barked, and heavy-boughed—
everything at right angles.
No dogwoods or redbuds heralding beneath
as a portent in anaphora. And the comfort is in
the uprightness of the vegetation.
But the land half-cleared in Ringgold stands as proof
some things cannot be stopped by mountains,
and the stand becomes a cemetery in stumps and needles.
That the tornado would not hit has showed itself: a myth.
That the Confederate army would afterward prevail, mercifully untrue.
I cannot see the mountain without the breach,
but I cannot cede the mountain either.
The mountain foot leaves everything oblique,
and I am oblique to the land
that I can't live without.
A bright sky intensifies the color of the soil,
which isolates the red from iron,
where once the sea came in and out and in and vanished
as the fall line, as Lookout Mountain,
as Chickamauga, as something screaming.
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