Three-Day Weekend
Christopher Blackman
Up there, it narrows from two lanes to one,
backing up traffic the whole way home,
but I don’t mind. It’s Friday before dark
and I’m in love with the world again,
from the opening bars of “Hotel California”
to the quality of the light at this particular hour,
this longest possible interval before being
thrust back to the working week once more.
The men and women who fought for our rest
wanted it this way: three days of freedom,
instead of two. Life is full of compromise—
we zipper merge, each vehicle ceding ground
to the next until we’re a single line, the shadows
of trees and buildings passing across my eyes
like a zoetrope. A century and a half ago,
in Europe, my family’s store was burned,
so they came to America and sold matchbooks,
their lives a testimony to the effectiveness
of their product. When I’m depressed, I feel guilty
for having grown soft in relative comfort,
despite my ancestors’ sacrifice. I don’t even want
to look at the wreck that caused us
to come together, though it seems like a bad one—
splintered pole, downed lines, flashing lights.
No way anybody walked away from that.