Jason Myers
Ars Poetica in Which the Poet is Not a Cockroach

Jason Myers - Ars Poetica in Which the Poet is Not a Cockroach

Poetry
Jason Myers is the Editor-in-Chief of The EcoTheo Review. His writing has appeared in American Poet (introduced by Campbell McGrath), The Believer, Ecotone, Image, The Paris Review, West Branch, and… Read more »
Brock Jones
Cardiology

Brock Jones - Cardiology

Poetry
Brock Jones is an assistant professor of English at Utah Valley University and the author of Cenotaph (University of Arkansas Press, 2016), a finalist in the 2016 Miller Williams Poetry Prize. His… Read more »
Amorak Huey
In the Final Months of My Parents’ Marriage

Amorak Huey - In the Final Months of My Parents’ Marriage

Poetry
Amorak Huey is the author of three books of poetry: Boom Box (Sundress, 2019), Seducing the Asparagus Queen (Cloudbank, 2018, winner of the Vern Rutsala Prize), and Ha Ha Ha Thump (Sundress, 2015), as… Read more »
Sandy Longhorn
Not Another Dead Woman as Plot Device

Sandy Longhorn - Not Another Dead Woman as Plot Device

Poetry
Sandy Longhorn has received the Porter Fund Literary Prize for Arkansas authors and the Collins Prize from the Birmingham Poetry Review. She is the author of three books of poetry: The Alchemy of My… Read more »
Melissa Crowe
The Parting

Melissa Crowe - The Parting

Poetry
Melissa Crowe is the author of Dear Terror, Dear Splendor (University of Wisconsin Press, 2019), and her work has appeared or is forthcoming in Crab Orchard Review, Poetry, Tupelo Quarterly, and… Read more »

The Parting

Melissa Crowe

What hurt me so terribly
all my life until this moment?

      –Jane Kenyon


Husband, I didn’t know the beautiful
broad-winged shape riding the air above us
as we lay in the hammock under the loblolly

pines was a buzzard until you told me.
Namer of whatever dark thing hovers,
you too deserve the truth, so when the police

find your father in a slick of blood
and offer no explanation but natural causes,
I say he drank himself to death, thinned

and thinned the skin of his esophagus
until it split. There’s a word in Japanese
we can’t translate though we take a sentence

to try: This is the parting. Singular goodbye
or something like an endless taking leave.
Years ago, you nightwalked the frozen river

between your house and mine, believing
breakage as likely as love. Still a boy, you’d
already reckoned with your slide into the airless

place beneath this place—but I didn’t know it.
Today, sad again to the point of rage, you say
I’m ready to go. The truth is, even I am getting

close. We’re stepping onto ghost glass together
or spooning under talons, some hungry beast.
Not always guests at the feast. The parting,

I might have said, sixteen, holding your electric
hand in movie-theater dark or marrying you under
leaf-cut sky or convulsing beneath your loving,

helpless gaze, our child wrecking through me
into life. Last night I shuddered above you, then—
This is the parting—lay laughing beside you

in our bed. I won’t say stay because you won’t
say you will. If I’m lucky, if I’m brave, we’ll keep
birthing an ending into ravening light.
Read more »