Margaret Adams
Burnt

Margaret Adams - Burnt

Creative Nonfiction
Margaret Adams is a Maine-born writer and registered nurse living in Baltimore, Maryland. A former columnist for The Bangor Daily News and a Pushcart Prize nominee, her work has most recently appeared… Read more »
Jami Nakamura Lin
Dreamscape #2: Dear Pinocchio

Jami Nakamura Lin - Dreamscape #2: Dear Pinocchio

Creative Nonfiction
Jami Nakamura Lin received her MFA at the Pennyslvania State University. A Pushcart Prize nominee, her work has appeared or is forthcoming in Passages North, Monkeybicycle, r.kv.r.y, Escape Into Life,… Read more »
Michele Morano
Learning Curve

Michele Morano - Learning Curve

Creative Nonfiction
Michele Morano is the author of the travel memoir, Grammar Lessons: Translating a Life in Spain. Her essays have appeared in anthologies and literary journals such as Best American Essays, The Fourth… Read more »
Micah Dean Hicks
Raising Houses

Micah Dean Hicks - Raising Houses

Creative Nonfiction
Micah Dean Hicks usually writes magical realism, southern fairy tales, and other kinds of magical stories. You can find his work in places like New Letters, Indiana Review, and New Orleans Review. His… Read more »

Dreamscape #2: Dear Pinocchio

Jami Nakamura Lin

The Scratch Card Series

I do not think I want to be a god. I want only to craft a small thing. There's this fantasy I have. To visit a logging camp, point to the burliest man and hire him on the spot. The bulk of his shoulders, his heavy silver axe. Find the tallest pine with the softest needles. To walk through the forest in silence. This one.

He lifts his axe, throws his heft into the arc of the swing. I watch in awe. (Awesome, my grandmother once repeated when I praised a new movie, People used to use that word to talk about God!) The time between the blade leaving the shoulder and hitting the trunk an eternity. Each crack into the trunk its own death. To hold my fingers in the dark conches of my ears when it falls.

To take home a pine cord, two feet tall, two hand-spans wide—you before you. Hold a knife and whittle and whittle. The thing is that I like control, even if just a semblance of. My thick thumbs an asset, holding the cord still, silent. White curls on the dark rug like fingernail clippings. I am gentle when I hold the awl, when I twist the spaces in your face—eye sockets, earlobes, nostrils. To sand each limb with paper, to turn rough joints smooth. The beauty of a bent knee, of a well-oiled axle.

To twist strands of fishing line tight round your wrists, your ankles. To reel you in, up, down. To each pilot, her plane. This one, I thought. I do not think I want to be a god. I want only to craft a small thing. To look you in the eye, the flecks of your blue irises. To seem real, you and I both.

Scratch card
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