Gary McDowell
Aliens Wrapped in Ravioli

Gary McDowell - Aliens Wrapped in Ravioli

Poetry
Gary McDowell is the author/editor of eight books, most recently Aflame (White Pine Press, 2020) and Caesura: Essays (Otis Books, 2017). His poems and essays have appeared recently or are forthcoming… Read more »
Wayne Mok
Currency

Wayne Mok - Currency

Fiction
Wayne Mok is originally from Hong Kong and now lives in Sydney, Australia. Read more »
Andrew Kozma
Dresses I Will Never Wear Again

Andrew Kozma - Dresses I Will Never Wear Again

Fiction
Andrew Kozma’s fiction appears in Apex, Factor Four, and Analog, while his poems appear in Strange Horizons, The Deadlands, and Contemporary Verse 2. His first book of poems, City of Regret, won the… Read more »
Mandy Moe Pwint Tu
Fable for a Father

Mandy Moe Pwint Tu - Fable for a Father

Poetry
Mandy Moe Pwint Tu is a pile of ginkgo leaves in a trench coat from Yangon, Myanmar, and the author of two poetry chapbooks, Monsoon Daughter (Thirty West Publishing House, 2022) and Unsprung… Read more »
Stephen Kampa
Impromptu for Future AI Overlords

Stephen Kampa - Impromptu for Future AI Overlords

Poetry
Stephen Kampa is the author of four collections of poetry, most recently World Too Loud to Hear. He teaches at Flagler College. His work appears in Best American Poetry 2024. Read more »
Tony Motzenbacker
Joy

Tony Motzenbacker - Joy

Fiction
Although born in England, Tony Motzenbacker has spent much of his time in America, and most of that in Southern California. His short stories have appeared in The Los Angeles Review, Chariton Review,… Read more »
Julia Levine
My Grandson’s First Week Back in the World

Julia Levine - My Grandson’s First Week Back in the World

Poetry
Julia B. Levine’s poetry has won many awards, including a 2021 Nautilus Award for her fifth poetry collection, Ordinary Psalms (LSU press, 2021), as well as the 2015 Northern California Book Award… Read more »
Forester McClatchey
Ophelia

Forester McClatchey - Ophelia

Poetry
Forester McClatchey is a poet and critic from Atlanta, Georgia. His work appears in 32 Poems, The Hopkins Review, and Five Points, and it has been nominated for Best New Poets. He teaches at Atlanta… Read more »
Lindsay M. D’Andrea
Premonition

Lindsay M. D’Andrea - Premonition

Poetry
Lindsay M. D’Andrea holds an MFA in creative writing from Iowa State University. Her fiction, poetry, and nonfiction has appeared in many print and digital publications including The Greensboro… Read more »
Andrea Bradley
Separation

Andrea Bradley - Separation

Fiction
Andrea Bradley is a mother, professor, and former lawyer living in small-town Ontario. She has published short fiction in several markets, including Grain Magazine and the Exile Editions anthology… Read more »
Coby-Dillon English
The Sleepwalkers

Coby-Dillon English - The Sleepwalkers

Fiction
Coby-Dillon English is a writer from the Great Lakes. A member of the Mississippi Band of Choctaw Indians, they hold an MFA in creative writing from the University of Virginia, where they were a Henry… Read more »
Jarred Johnson
The Trout Patch

Jarred Johnson - The Trout Patch

Fiction
Jarred Johnson is from the Appalachian foothills in Somerset, Kentucky. He got his MFA in writing from UNC Wilmington. An essay of his is forthcoming in the anthology Queer Communion: Appalachian… Read more »
Jonathan Wood
The Urbanization of James Trumbull

Jonathan Wood - The Urbanization of James Trumbull

Fiction
Jonathan Wood is an Englishman in New York, albeit the state and not the city. He has previously published seven comedic fantasy novels and one fantasy novel that is only a little bit funny. He enjoys… Read more »
Mary Simmons
Trespass

Mary Simmons - Trespass

Poetry
Mary Simmons is a queer writer from Cleveland, Ohio. She earned her poetry MFA from Bowling Green State University, where she also served as the managing editor for Mid-American Review. She has work… Read more »
Susan Comninos
Wild Joy of Receiving

Susan Comninos - Wild Joy of Receiving

Poetry
Susan Comninos is a widely published poet and author of a recent book of poems, Out of Nowhere (Stephen F. Austin Univ. Press/Texas A&M, 2022). Her creative work has appeared in the Harvard Review… Read more »

Dresses I Will Never Wear Again

Andrew Kozma

The first thing I do in the morning is remove my skin.

My closet is full of old mes. The hangers stick out through the mouths, hold up the shoulders, the empty head falling back flat like a hoodie. I’m used to them, but even so, the teeth are the worst aspect, their ghostly echoes rising up from my flaccid jaws that rest flush against my neck. The teeth look like pearl buttons, snaps on a faux-Western shirt. And with the feet gone—I have to remove them to pull off my skin—I can almost imagine my discarded skins as dresses. Daring dresses, of course, slits going all the way up, but dresses nonetheless. Dresses I will never wear again.

The skins darken over time, losing elasticity until they are more like the clothes I imagine them to be. Every few weeks, I fold and neatly stack what hangs in the closet, and then take the pile up to the attic to store them with the rest.

Why do I keep the skins? I don’t know. It feels wrong to throw away a part of myself.

“But why do you keep them?” my boyfriend asks. His name is Ramsey. We’ve been dating for two months, but it feels like two years, we’re so comfortable with each other. He’s sitting on the bed watching me tug off yesterday’s skin, his eyes glistening with fascination. “You treat them like relics. Like haute couture. But they’re just dead skin.”

“They’re me.” I stretch the just-removed skin between my fingers, my fingers visible as ghosts underneath. I toss the fresh skin onto Ramsey’s lap. “It’s me.”

“It’s still warm,” he says, voice full of wonder, pregnant with awe.

Instead of grabbing a t-shirt, I turn back to Ramsey, feeling frisky. I find him with my discarded face pressed to his lips. His eyes are closed, but the eyeholes on my skin are open, the upper face flopped back over his hand as he nuzzles the warm, unresisting lips.

“What are you doing?”

“What do you mean?” he asks, looking up at me, eyes innocent and deep. My skin falls away from his face.

I lean down and kiss him, then push him back on the bed, run my hands over his body, pull his hands to my hips, breasts, my skin I’m wearing, the me beneath it all. When we’re done and he’s dozing, I get up to take a shower, stepping over yesterday’s skin. It looks up at me from the floor with something like reproach, something like jealousy.

It was me he was kissing, that’s his argument when I prod him over breakfast. Just me, like I’d said myself. He keeps his eyes on the plate. He sops up the syrup with a forked piece of French toast, sticky liquid dripping down his chin as he bites in.

All day at work I think about the look on Ramsey’s face as he kissed my skin. Since we’ve been dating, today’s the first time he’s touched a discarded skin of mine. It feels like a betrayal, his lips on my old flesh, completely empty of everything that makes me me. But that’s overreacting. It’s nothing. I tell myself it’s nothing. I’ve seen the way he looks at other women. What am I worried about? We love each other. He loves me. Isn’t that what this morning means? He loves not just all of me, but all of mes.

When I call during lunch, Ramsey doesn’t answer the phone. I know he’s off work today. I know his plan was to stay at home. There’s nothing to worry about. I am not afraid of infidelity.

I leave the office early and drive the speed limit. In the rear-view mirror, I think I see cracks in my face, but they are just wrinkles. My body is an ill-fit. A tight dress hugging all the wrong places.

At home, I find Ramsey in bed with my skin. It is draped over his naked body like a light blanket, propped up in the middle by his penis. He moans in a way that I react to even now, even at this moment, even as he weaves his fingers in the discarded skin’s hair, makes his hand a fist so the skin draws tight around his knuckles.

Ramsey sees me. He lowers my discarded face from his own, every movement languid, lips swollen with kissing. He’s not embarrassed. He’s not ashamed. I want to rip the skin from him, take it and all the others from the closet, from the attic, and pile them in the backyard and set them on fire.

He holds the skin out to me. His voice is a husk, is a gravel lot beneath a parking car, is a cold icicle running down my spine.

“Put it on.”

Read more »