Jane McKinley
Depression, Early January

Jane McKinley - Depression, Early January

Poetry
Jane McKinley is a Baroque oboist with degrees in music from Northwestern University and Princeton University. She is the author of Vanitas, winner of the 2011 Walt McDonald First-Book Award (Texas… Read more »
Zachariah Claypole White
Elegy After a Disturbance

Zachariah Claypole White - Elegy After a Disturbance

Poetry
Zachariah Claypole White is a Philadelphia-based writer and educator, originally from North Carolina. He holds a BA from Oberlin College and an MFA from Sarah Lawrence College. His poetry and prose… Read more »
Renee Emerson
Every Now and Then the Yard Caught Fire

Renee Emerson - Every Now and Then the Yard Caught Fire

Poetry
Renee Emerson is the author of the poetry collections Keeping Me Still (Winter Goose Publishing 2014), Threshing Floor (Jacar Press 2016), and Church Ladies (Fernwood Press 2023). She is also the… Read more »
Sara Burge
I Look Good in Debt

Sara Burge - I Look Good in Debt

Poetry
Sara Burge is the author of Apocalypse Ranch (C&R Press), and her poetry has been published in or is forthcoming from CALYX Journal, Willow Springs, Virginia Quarterly Review, The Louisville… Read more »
Brian Czyzyk
Rescue Anne

Brian Czyzyk - Rescue Anne

Poetry
Brian Czyzyk is a poet from Traverse City, Michigan. His work appears or is forthcoming in Gulf Coast, Passages North, The Offing, Ninth Letter, and POETRY Magazine among others. He holds an MFA from… Read more »
Sheila Black
The Home Front, 1992

Sheila Black - The Home Front, 1992

Poetry
Sheila Black’s most recent collection is Radium Dream from Salmon Poetry Ireland. Poems and essays have appeared in Poetry, Kenyon Review Online, Ploughshares, The Nation, The New York Times, and… Read more »

The Home Front, 1992

Sheila Black

The way you hold your wrists as if expecting some heavy gift— a basket of bread that sounds hollow when you tap on it, golden and feathered on the tongue, a split plum too juicy for the thin skin to hold it in, frozen grapes with their silvered glow. We lie there, and you tell a story about a desert you walked in, something terrible happened that you won’t name, but lingers like a pall in the air, a stone held under your tongue you suck on to taste its salt. Once you said “I didn’t know anyone who died.” I thought you were telling me you were lucky, but really you were saying you didn’t know anyone you’d killed. In the mornings, you turn your back to me, cupping your coffee. You like to look at trains, you like to watch the blackbirds rise from the onion fields at the edge of town, half in love with how they hold themselves together yet so apart. I can already see the time I won’t know you anymore, when I’ll mistake your back for the back of a different man. Once you said you found a dead horse out there; someone had wrapped a scarf of blue silk around its neck; that was love, you knew it, and you sat there alone a long time until they came to drag you back. I already see when all this will be gone—a memory like a coin at the bottom of a fountain covered in moss. I already know what I will keep— an image of red birds in heavy snow, pecking the ground for a seed that skitters away, just out of reach. Down by the river a person flapping their arms in blue light.
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