ZG Tomaszewski
Alphabet

ZG Tomaszewski - Alphabet

Poetry
Author of All Things Dusk, Mineral Whisper, River Nocturne, and several limited edition coffee table books, including Korakia and Stone Poems, ZG Tomaszewski is a gardener who enjoys arranging flowers… Read more »
Lucy Zhang
Bad Apple

Lucy Zhang - Bad Apple

Fiction
Lucy Zhang writes, codes, and watches anime. Her work has appeared in The Molotov Cocktail, Interzone, Hayden’s Ferry Review, and elsewhere. She is the author of the chapbooks Hollowed (Thirty West… Read more »
Brecht De Poortere
Black with White Stripes

Brecht De Poortere - Black with White Stripes

Fiction
Brecht De Poortere was born in Belgium and grew up in Africa. He currently lives in Paris, France. His writing has appeared in X-R-A-Y, Consequence, Emerge Literary Journal, and elsewhere. Find him on… Read more »
Lance Larsen
Envy

Lance Larsen - Envy

Poetry
Lance Larsen is the author of five poetry collections, most recently What the Body Knows (Tampa 2018). His awards include a Pushcart Prize and a fellowship from the National Endowment for the Arts. He… Read more »
Susan Blackwell Ramsey
Erosion and the Laetoli Footprints

Susan Blackwell Ramsey - Erosion and the Laetoli Footprints

Poetry
Susan Blackwell Ramsey’s work has appeared, among other places, in The Southern Review, Poetry Northwest, 32 Poems, and Best American Poetry; her book, A Mind Like This, won the Prairie Schooner… Read more »
Marcia L. Hurlow
Evening Before the Diagnosis

Marcia L. Hurlow - Evening Before the Diagnosis

Poetry
Marcia L. Hurlow is the author of one full-length collection of poems and five chapbooks. Her individual poems have appeared in Poetry, Chicago Review, Poetry Northwest, Poetry East, Cold Mountain,… Read more »
Lydia Waites
Freelance

Lydia Waites - Freelance

Fiction
Lydia Waites is an East Yorkshire based writer and Creative Writing PhD candidate at the University of Lincoln. She is a Fiction Editor for The Lincoln Review and founder of Tether’s End Magazine.… Read more »
Donna Vorreyer
Holding On

Donna Vorreyer - Holding On

Poetry
Donna Vorreyer is the author of To Everything There Is (2020), Every Love Story is an Apocalypse Story (2016) and A House of Many Windows (2013), all from Sundress Publications. She lives in the… Read more »
Kael Knight
Moose Prayer

Kael Knight - Moose Prayer

Creative Nonfiction
Kael Knight is a journalist, photographer, and essayist. His essay “The Trail” won the John Allen Gifford Award in 2021. Knight is currently based out of Kansas City, where he lives with his wife.… Read more »
Michael Beard
Mute Ghost of Your Grandfather

Michael Beard - Mute Ghost of Your Grandfather

Poetry
Michael Beard (he/him/his) currently studies poetry at the Bowling Green State University MFA program and serves as the managing editor for Mid-American Review. His poems have appeared or are… Read more »
Gustavo Pérez Firmat
My Two Voices

Gustavo Pérez Firmat - My Two Voices

Creative Nonfiction
A native of Cuba, Gustavo Pérez Firmat has published several books of poetry in Spanish and English, including Equivocaciones, Bilingual Blues, Scar Tissue, The Last Exile, and Sin lengua… Read more »
Jared Hanson
Wild Edibles

Jared Hanson - Wild Edibles

Fiction
Jared Hanson received his MFA from Columbia University and lives in New York City. His fiction has been published in the Gettysburg Review and Pembroke Magazine. Read more »
Matt Barrett
You Wish This Were a Novel

Matt Barrett - You Wish This Were a Novel

Fiction
Matt Barrett holds an MFA in Fiction from UNC-Greensboro, and his stories have appeared or are forthcoming in The Sun Magazine, Best Microfiction 2022, SmokeLong Quarterly, Contrary, Vast Chasm, and… Read more »
Winshen Liu
自強號 (zì qiáng hào)

Winshen Liu - 自強號 (zì qiáng hào)

Poetry
Winshen Liu is a Taiwanese American writer who has worked in various roles in non-profits, education, and tech. Her writing has appeared in Santa Fe Writers Project Quarterly, and Raft, and is… Read more »

You Wish This Were a Novel

Matt Barrett

My brother can’t remember the name of his favorite book. It’s about a man who goes from town to town, befriending managers of corporate stores like Walmart, Kmart—all of the marts—makes them feel at ease, treats them to dinner, schmoozes, the whole nine yards. The man, whose name my brother also can’t remember, tells the managers he’s writing a script for Hollywood, this big blockbuster of a film and wouldn’t you know it’s about some guy who manages a corporate store like theirs? And because of all his schmoozing, the drinks he’s treated them to, the fun, each of them grants him his wish: to spend one week in their store, learning the ins and outs, everything there is to know, down to the smallest of details, like when employees take their breaks and where they keep the money before that big armored truck comes in to take it all away. And you know what that man ends up doing, my brother asks. He locks the manager and driver of that armored truck in the safe and absconds with more money than he can carry and does it all over, changing his story just a little when he meets somebody new.

My brother can’t remember how it ends. And since he can’t remember the title, and no one knows what book he’s talking about, he can’t go back and read it.

I listen to him talk, and when he’s done, I tell the guards outside his visitation room he’s been talking about his life again, as if it were a book.

Sometimes when I see him, I tell him I remember it. I say it ends like this: the man is caught on the very last page. He’s accumulated his fortune. He’s gotten everything he could ever want, a family, a house, a view of the ocean with a boat tied up in the harbor. So, he’s sitting in his living room, watching his boat bob on the sea. He’s an old man now, or at least older than he expected to be. He never thought he’d make it to forty, but there he is, with gray hair and shaky hands, and when he sips his coffee, he tries to remember why he did what he did. He knows it was for money—to buy all of this—but he wants to find another reason he stole. And while he’s sitting there, it dawns on him that he’s never really done anything. He didn’t build anything, didn’t contribute. He simply took, and as he wonders what he can do to change, a swarm of agents descends upon his house.

My brother looks around the visitation room when I finish. A man speaks quietly to his wife in the corner. Behind us, two men play cards.

“Is that it?” my brother asks.

“That’s it.”

He rubs his chin, scratches his head. “But isn’t there some kind of epilogue or something?”

“No, it just ends.”

He takes a moment to consider this, fidgets with his thumb. “So, what do you think he does? I mean, once all those agents swarm?”

“Nothing. It’s over. There’s a single blank page. Then the cover.”

My brother glances at the guard in the corner. “But he’s got to do something, right? I mean, isn’t that how life works?”

“Not how books work.”

“No?”

“You can guess all you want. You can make it up. But the truth is, when the book’s over, it’s over.”

“Hmm.” His legs bounce beneath the table. “I guess that’s all right, then.”

“Sometimes it’s even better that way.”

He nods, then frowns and rises to shake my hand. When I leave, I look back at him. He’s turned his chair to face the ocean-colored walls. For a while, that’s all he does—sit there and stare—and I think, I can end it now. I can leave him here and not come back. I can tell myself he’ll change. That he’ll leave this place and be the boy who used to race me to the creek. He’ll go on to build something, do something. But that isn’t how life works.

I think life works more like this: it’s jagged. It’s looking at him through the glass and hearing your dead mother explain how much he looks up to you. It’s watching him face the ocean-colored walls and seeing him count nickels on your bed while you listed the ways he might get rich. It’s picturing your father, after how many doctors’ visits, mentioning something’s not quite right with—he couldn’t even say your brother’s name, just that he gets these wild ideas. It’s wishing life would be more like a novel. Knowing you’ll find that final page, the one that says: it’s over now. It’s knowing deep down there is no final page. So, you carry them with you, all these words, these stories. You put them on your back, even when you don’t know where to take them. You breathe, and then? Your guess is as good as mine.

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